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      Sound as Material for Eco-technogenesis

      ,   ,

      RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)

      Media Art, Science, and Technology

      August 20-23, 2019

      Biosemiotics, Ethics, Soundscape ecology, Sound objects, Technogenesis

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          There is no author summary for this article yet. Authors can add summaries to their articles on ScienceOpen to make them more accessible to a non-specialist audience.

          Abstract

          This paper delineates the conceptual outcomes from a two-week intensive cross-disciplinary conversation between an art historian, an interaction designer, and an artist/engineer. With the aim of applying the concept of technogenesis to an exploration of sound as material for art and design, we consider sound as a material force within an ecosystem. Through this lens, sound produced by either life- or technological-forms allows us to consider the ecological impact and potential meanings of generated sound. Drawing on biosemiotics, we propose that the co-evolution of sound, technology, and environments, what we call eco-technogenesis, demands relational, and thus ethical, thinking. The rowdy krause, an autonomous sonic agent, designed by Kadish to identify and inhabit an acoustic niche within an ecosystem, serves as a case study for thinking through eco-technogenesis.

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          Most cited references 17

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          Ecological Sources of Selection on Avian Sounds

           Eugene Morton (1975)
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            Castorid Phylogenetics: Implications for the Evolution of Swimming and Tree-Exploitation in Beavers

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              Sound Art and the Sonic Unconscious

               Christoph Cox,  C Cox (2009)
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                Author and article information

                Contributors
                Conference
                August 2019
                August 2019
                : 195-201
                Affiliations
                Department of Art

                Stony Brook University

                2224 Staller Center for the Arts

                Stony Brook, NY 11794

                United States
                Robotics, Evolution, and Art Lab

                IT University of Copenhagen

                Rued Langgaards Vej 7

                DK-2300 Copenhagen S

                Denmark
                Department of People and Technology

                Roskilde University

                Universitetsvej 1, 10.2,

                DK-4000 Roskilde

                Denmark
                Article
                10.14236/ewic/RESOUND19.30
                © Hines et al. Published by BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology
                RE:SOUND 2019
                8
                Aalborg, Denmark
                August 20-23, 2019
                Electronic Workshops in Computing (eWiC)
                Media Art, Science, and Technology
                Product
                Product Information: 1477-9358BCS Learning & Development
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

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