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      Recognizing transient low-frequency whale sounds by spectrogram correlation

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      The Journal of the Acoustical Society of America
      Acoustical Society of America (ASA)

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          Abstract

          A method is described for the automatic recognition of transient animal sounds. Automatic recognition can be used in wild animal research, including studies of behavior, population, and impact of anthropogenic noise. The method described here, spectrogram correlation, is well-suited to recognition of animal sounds consisting of tones and frequency sweeps. For a sound type of interest, a two-dimensional synthetic kernel is constructed and cross-correlated with a spectrogram of a recording, producing a recognition function--the likelihood at each point in time that the sound type was present. A threshold is applied to this function to obtain discrete detection events, instants at which the sound type of interest was likely to be present. An extension of this method handles the temporal variation commonly present in animal sounds. Spectrogram correlation was compared to three other methods that have been used for automatic call recognition: matched filters, neural networks, and hidden Markov models. The test data set consisted of bowhead whale (Balaena mysticetus) end notes from songs recorded in Alaska in 1986 and 1988. The method had a success rate of about 97.5% on this problem, and the comparison indicated that it could be especially useful for detecting a call type when relatively few (5-200) instances of the call type are known.

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          Songs of humpback whales.

          1) Humpback whales (Megaptera novaeangliae) produce a series of beautiful and varied sounds for a period of 7 to 30 minutes and then repeat the same series with considerable precision. We call such a performance "singing" and each repeated series of sounds a "song." 2) All prolonged sound patterns (recorded so far) of this species are in song form, and each individual adheres to its own song type. 3) There seem to be several song types around which whales construct their songs, but individual variations are pronounced (there is only a very rough species-specific song pattern). 4) Songs are repeated without any obvious pause between them; thus song sessions may continue for several hours. 5) The sequence of themes in successive songs by the same individual is the same. Although the number of phrases per theme varies, no theme is ever completely omitted in our sample. 6) Loud sounds in the ocean, for example dynamite blasts, do not seem to affect the whale's songs. 7) The sex of the performer of any of the songs we have studied is unknown. 8) The function of the songs is unknown.
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            Ferrier Lecture: Functional Architecture of Macaque Monkey Visual Cortex

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              The 20-Hz signals of finback whales (Balaenoptera physalus).

              The 20-Hz signals of finback whales (Balaenoptera physalus) were analyzed from more than 25 years of recordings at a variety of geographic locations on near-surface hydrophones close to whales and on deep hydrophone systems. These signals were composed of 1-s pulses of sinusoidal waveform with downward sweeping frequency from approximately 23 to 18 Hz at variable source levels up to 186 dB (re: 1 microPa at 1 m), usually with slightly lower levels for the pulses at the beginning and end of sequences. These "20-Hz" pulses were produced in signal bouts (separated by more than 2 h) lasting as long as 32.5 h. Bouts were composed of regularly repeated pulses at intervals of 7-26 s (typically), either at one nominal pulse rate or at two alternating (doublet) pulse intervals. Signal bouts were interrupted by rests of 1-20 min at roughly 15-min intervals and by irregular gaps lasting between 20 and 120 min. The distribution of these signals throughout the year and their temporal sequence were analyzed from the continuous drum records of the Bermuda SOFAR Station. Signal bouts occurred during winter, sometimes beginning in September and ending in May. The sound sequences were never exactly replicated. Direct association of the bouts with the reproductive season for this species points to the 20-Hz signals as possible reproductive displays by finback whales.
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                Author and article information

                Journal
                The Journal of the Acoustical Society of America
                The Journal of the Acoustical Society of America
                Acoustical Society of America (ASA)
                0001-4966
                June 2000
                June 2000
                : 107
                : 6
                : 3518-3529
                Article
                10.1121/1.429434
                10875396
                ee228ce3-3130-4d49-a767-62e9888a0322
                © 2000
                History

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