Barney Simon &amp; the theatre of struggle

Burns, Hilary

doi:10.1080/03056240208704594

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Review of African Political Economy

Volume 29, Issue 91

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Barney Simon & the theatre of struggle

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Author(s): Hilary Burns

Publication date (Print): March 2002

Journal: Review of African Political Economy

Publisher: Review of African Political Economy

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Content

Author and article information

Contributors

Hilary Burns:

Comment :

Hilary Burns is an actor and writer. She spent some time working with the Market in 2000 and will be visiting the Baxter later this year. The above is an extract from an, as yet, unpublished and unfinished book on South African Theatre focusing particularly on the Market and the Baxter Theatre in Cape Town. Photographs by Ruphin Coudyzer.

Journal

Journal ID (publisher-id): crea20

Journal ID (archive): CREA

Title: Review of African Political Economy

Publisher: Review of African Political Economy

ISSN (Print): 0305-6244

ISSN (Electronic): 1740-1720

Publication date (Print): March 2002

Volume: 29

Issue: 91

Pages: 138-143

Article

Publisher ID: 8704594 Coden ID: Review of African Political Economy, Vol. 29, No. 91, March 2002, pp. 138-143

DOI: 10.1080/03056240208704594

SO-VID: fd4fe703-0240-488b-95a5-184b40d9362f

License:

All content is freely available without charge to users or their institutions. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission of the publisher or the author. Articles published in the journal are distributed under a http://creativecommons.org/licenses/by/4.0/.

History

Page count

Figures: 0, Tables: 0, References: 9, Pages: 6

Endnotes

Mary Benson , ‘Athol Fugard & Barney Simon, Bare stage, a few props, great theatre’ , Ravan Press , 1997 , p. 106 .
Anne Fuchs , ‘Playing the Market: The Market Theatre of Johannesburg, 76–86’ , Harvard Academic Publishers , 1990 , pp. 25 – 26 .
Geoffrey V. Davis & Anne Fuchs (eds.), ‘Theatre and Change in South Africa’ , Harwood Academic Publishers , 1996 , p. 227 .
Martin Orkin , Introduction, ‘At The Junction: Four plays by the Junction Avenue Theatre Company’ , Witwatersrand University Press , 1995 , p. 10 .
Barney Simon , ‘Born in the RSA: Four Workshopped Plays’ , Witwatersrand University Press , 1997 , p. 111
Pam Sweitz , ‘The Best of Company: The Story of Johannesburg's Market Theatre’ , A D Donker Publishers , 1991 .
Percy Mtwa , Mbongeni Ngema and Barney Simon , ‘Woza Albert!’ Methuen London , 1993 (re‐issue), p. 26
Malcolm Purkey , ‘Sophiatown’ , Witwatersrand University Press 1997 , Introduction, p. xi
Pam Sweitz , ‘The Best of Company: The Story of Johannesburg's Market Theatre’ , A D Donker Publishers , 1991 , p. 162

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Comment on this article

[1] Mary Benson , ‘Athol Fugard & Barney Simon, Bare stage, a few props, great theatre’ , Ravan Press , 1997 , p. 106 .

[2] Anne Fuchs , ‘Playing the Market: The Market Theatre of Johannesburg, 76–86’ , Harvard Academic Publishers , 1990 , pp. 25 – 26 .

[3] Geoffrey V. Davis & Anne Fuchs (eds.), ‘Theatre and Change in South Africa’ , Harwood Academic Publishers , 1996 , p. 227 .

[4] Martin Orkin , Introduction, ‘At The Junction: Four plays by the Junction Avenue Theatre Company’ , Witwatersrand University Press , 1995 , p. 10 .

[5] Barney Simon , ‘Born in the RSA: Four Workshopped Plays’ , Witwatersrand University Press , 1997 , p. 111

[6] Pam Sweitz , ‘The Best of Company: The Story of Johannesburg's Market Theatre’ , A D Donker Publishers , 1991 .

[7] Percy Mtwa , Mbongeni Ngema and Barney Simon , ‘Woza Albert!’ Methuen London , 1993 (re‐issue), p. 26

[8] Malcolm Purkey , ‘Sophiatown’ , Witwatersrand University Press 1997 , Introduction, p. xi

[9] Pam Sweitz , ‘The Best of Company: The Story of Johannesburg's Market Theatre’ , A D Donker Publishers , 1991 , p. 162