‘The man died’ in <i>Africa95</i>

Richards, David

doi:10.1080/03056249608704192

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Review of African Political Economy

Volume 23, Issue 68

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‘The man died’ in Africa95

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research-article

Author(s): David Richards ^a

Publication date (Print): June 1996

Journal: Review of African Political Economy

Publisher: Review of African Political Economy

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Abstract

A review of a conference, two exhibitions and a play which demonstrate the themes and arguments generated by africa95which sought to present dynamic cultural work of a continent too often portrayed as a place of famines and tyrants. If the events of africa95were clouded by the murder of an artist, they still had much to say about the ‘glorious productivity of African cultures’.

Content

Author and article information

Journal

Journal ID (publisher-id): crea20

Journal ID (archive): CREA

Title: Review of African Political Economy

Publisher: Review of African Political Economy

ISSN (Print): 0305-6244

ISSN (Electronic): 1740-1720

Publication date (Print): June 1996

Volume: 23

Issue: 68

Pages: 139-147

Affiliations

^a School of English , University of Leeds , UK

Article

Publisher ID: 8704192 Coden ID: Review of African Political Economy, Vol. 23, No. 68, June 1996, pp. 139-147

DOI: 10.1080/03056249608704192

SO-VID: 3b111187-c3a4-4f1b-937b-4528ad4529dd

License:

All content is freely available without charge to users or their institutions. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission of the publisher or the author. Articles published in the journal are distributed under a http://creativecommons.org/licenses/by/4.0/.

History

Page count

Figures: 0, Tables: 0, References: 8, Pages: 9

Endnotes

The Man Died: Prison Notes (1972) , Penguin : Harmondsworth , 1975 .
Homi K. Bhabha , ‘Interrogating Identity’ , ICA Documents , 6 , 1987 , p. 9 .
Homi K. Bhabha , ‘Interrogating Identity’ , ICA Documents , 6 , 1987 , p. 6 .
Homi K. Bhabha , ‘Foreword: Remembering Fanon’ , Frantz Fanon , Black Skin, White Masks [Peau Noire, Masques Blancs, 1952 ], translated by Charles Lam Markmann with a foreword by Homi K. Bhabha; London, 1986) pp. xxii.
Bhabha , ‘Foreword’ to Fanon , Black Skin, While Masks, pp. xiv .
Tom Phillips (ed), Africa: The Art of a Continent , Royal Academy of Arts , London & Prestel, Munich , 1995 .
Derek Walcott , “The Bright Field’ , Sea Grapes , London : Faber and Faber , 1976 .
Wole Soyinka , The Man Died: Prison Notes (1972), Penguin : Harmondsworth , 1975 , p. 13 .

Comments

Comment on this article

[1] The Man Died: Prison Notes (1972) , Penguin : Harmondsworth , 1975 .

[2] Homi K. Bhabha , ‘Interrogating Identity’ , ICA Documents , 6 , 1987 , p. 9 .

[3] Homi K. Bhabha , ‘Interrogating Identity’ , ICA Documents , 6 , 1987 , p. 6 .

[4] Homi K. Bhabha , ‘Foreword: Remembering Fanon’ , Frantz Fanon , Black Skin, White Masks [Peau Noire, Masques Blancs, 1952 ], translated by Charles Lam Markmann with a foreword by Homi K. Bhabha; London, 1986) pp. xxii.

[5] Bhabha , ‘Foreword’ to Fanon , Black Skin, While Masks, pp. xiv .

[6] Tom Phillips (ed), Africa: The Art of a Continent , Royal Academy of Arts , London & Prestel, Munich , 1995 .

[7] Derek Walcott , “The Bright Field’ , Sea Grapes , London : Faber and Faber , 1976 .

[8] Wole Soyinka , The Man Died: Prison Notes (1972), Penguin : Harmondsworth , 1975 , p. 13 .