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      When There Is Fear, There Is Art: An Interview with Essa Omer

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            Abstract

            Meriwan Abdullah interviews Kurdish artist Essa Omer about his most recent work and the significance of the emotion of fear in producing art work.

            Content

            Author and article information

            Contributors
            Role: Interviewed by
            Journal
            10.2307/j50020142
            jinte
            Journal of Intersectionality
            Pluto Journals
            2515-2114
            2515-2122
            1 January 2018
            : 2
            : 2 ( doiID: 10.13169/jinte.2.issue-2 )
            : 33-37
            Affiliations
            Artist, Sulaimani, Iraqi Kurdistan
            Artist, Atlanta, United States
            Article
            jinte.2.2.0033
            10.13169/jinte.2.2.0033
            dc730740-de07-4423-8449-c58f68005bf9
            © 2018 Pluto Journals

            All content is freely available without charge to users or their institutions. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission of the publisher or the author. Articles published in the journal are distributed under a http://creativecommons.org/licenses/by/4.0/.

            History
            Custom metadata
            eng

            Theory of historical sciences,Political & Social philosophy,Intercultural philosophy,General social science,Development studies,Cultural studies
            Sulaimani,Iraqi Kurdistan,Essa Omer,intersectionality,conflict,Kurdish art

            Footnote

            1. The term “jan” in Kurdish is a term of endearment, roughly equivalent to “dear” in English. Often, you will hear this term added to the name or honorific of a person the speaker may be especially close to or to whom they may wish to express respect, appreciation or affection.

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