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      The Cycle That Brought Me, This Self, and Art Together

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            Abstract

            This account details one individual’s struggle with the social construction of womanhood in Kurdish society, those roles that females are taught, misogyny and self-hatred that they see deeply imbedded in Kurdish society. Connecting their artwork to their private self, the authors open the space of their personal struggles with gender identification and being queer.

            Content

            Author and article information

            Journal
            Journal of Intersectionality
            2515-2122
            11 November 2022
            : 6
            : 1
            : 51-58
            Affiliations
            [1 ] Sulaimani, Iraqi Kurdistan
            Article
            10.13169/jinte.6.1.0005
            b3888e5b-dbeb-45df-bb7f-45c329c8a497
            The Authors

            Published under Creative Commons Attribution 4.0 International ( CC BY 4.0). Users are allowed to share (copy and redistribute the material in any medium or format) and adapt (remix, transform, and build upon the material for any purpose, even commercially), as long as the authors and the publisher are explicitly identified and properly acknowledged as the original source.

            History

            Data sharing not applicable to this article as no datasets were generated or analysed during the current study.
            Political science,Arts,Social & Behavioral Sciences,Cultural studies
            Kurdish art,intersectionality,conflict,construction of gender,Iraqi Kurdistan

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