Civic Engagement, Public Intellectualism, and Art

Cockrell-Abdullah, Autumn

doi:10.13169/jinte.6.1.0008

ScienceOpen: research and publishing network

For Publishers

For Researchers

Blog
About

Search
Advanced search

284

views

recommends

If you have found this article useful and you think it is important that researchers across the world have access, please consider donating, to ensure that this valuable collection remains Open Access.

The Journal of Intersectionality is published by Pluto Journals, an Open Access publisher. This means that everyone has free and unlimited access to the full-text of all articles from our international collection of social science journals. Furthermore Pluto Journals authors don’t pay article processing charges (APCs).

scite_

Journal of Intersectionality

Volume 6, Issue 1

Record: found
Abstract: found
Article: found

Is Open Access

Civic Engagement, Public Intellectualism, and Art

Published

research-article

Author(s): Autumn Cockrell-Abdullah ¹

Publication date (Print): 11 November 2022

Journal: Journal of Intersectionality

Keywords: Kurdish art, Iraqi Kurdistan, Clamor, Tekist, Sulaimani, site-specific art, intersectionality, conflict

Bookmark

Abstract

Revisiting a previously unpublished analysis of the Clamor (2016) and Tekist (2017) art shows presented at the Fine Arts Institute and the Museum of Modern Art in Sulaimani, Iraqi Kurdistan, Cockrell-Abdullah considers the spaces in which artists are siting their work so that they may speak to specific public audiences and their social and cultural concerns, and how this work creates sheltered civic space in Kurdish society that allows for open discussion of social problems.

Content

Author and article information

Journal

Title: Journal of Intersectionality

ISSN: 2515-2122

Publication date (Print): 11 November 2022

Volume: 6

Issue: 1

Pages: 79-98

Affiliations

[1 ] Department of Political Science, Agnes Scott College, Georgia, USA

Article

DOI: 10.13169/jinte.6.1.0008

SO-VID: 168d0fff-d7a8-467e-95b6-b176b619789f

License:

Published under Creative Commons Attribution 4.0 International ( CC BY 4.0). Users are allowed to share (copy and redistribute the material in any medium or format) and adapt (remix, transform, and build upon the material for any purpose, even commercially), as long as the authors and the publisher are explicitly identified and properly acknowledged as the original source.

History

Data availability: Data sharing not applicable to this article as no datasets were generated or analysed during the current study.

ScienceOpen disciplines: Political science,Arts,Social & Behavioral Sciences,Cultural studies

Keywords: Kurdish art,Iraqi Kurdistan,Clamor,Tekist,Sulaimani,site-specific art,intersectionality,conflict

References

Avruch Kevin, Black Peter W.. THE CULTURE QUESTION AND CONFLICT RESOLUTION. Peace & Change. Vol. 16(1):22–45. 1991. Wiley. [Cross Ref]
Berleant Arnold. A Note on the Problem on Defining `Art'. Philosophy and Phenomenological Research. Vol. 25(2)1964. JSTOR. [Cross Ref]
Bozarslan Hamit. REPRESENTING IRAQ HISTORY THROUGH THE ARTSWriting the Modern History of Iraq. p. 403–406. 2012. WORLD SCIENTIFIC. [Cross Ref]
Cockrell-Abdullah Autumn. Art and AgencyAdvances in Public Policy and Administration. p. 320–342. 2019. IGI Global. [Cross Ref]
Cockrell-Abdullah Autumn. Constituting Histories Through Culture In Iraqi Kurdistan. Zanj: The Journal of Critical Global South Studies. Vol. 2(1)2018. Pluto Journals. [Cross Ref]
Cockrell-Abdullah Autumn. Guest Editor's Introduction: Toward a Greater Understanding of Contemporary Kurdish Art and Aesthetics. Journal of Intersectionality. Vol. 2(2)2018. Pluto Journals. [Cross Ref]
Cockrell-Abdullah Autumn. There Is No Kurdish Art. Journal of Intersectionality. Vol. 2(2)2018. Pluto Journals. [Cross Ref]
DAVIES STEPHEN. Defining Art and Artworlds. The Journal of Aesthetics and Art Criticism. Vol. 73(4):375–384. 2015. Oxford University Press (OUP). [Cross Ref]
Freedom without Permission. 2016. Duke University Press. [Cross Ref]
Kwon Miwon. One Place after Another. 2002. The MIT Press. [Cross Ref]
Lederach John Paul. The Moral Imagination. 2005. Oxford University PressNew York. [Cross Ref]
Shank Michael, Schirch Lisa. Strategic Arts-Based Peacebuilding. Peace & Change. Vol. 33(2):217–242. 2008. Wiley. [Cross Ref]

Comments

Comment on this article

[1] Avruch Kevin, Black Peter W.. THE CULTURE QUESTION AND CONFLICT RESOLUTION. Peace & Change. Vol. 16(1):22–45. 1991. Wiley. [Cross Ref]

[2] Berleant Arnold. A Note on the Problem on Defining `Art'. Philosophy and Phenomenological Research. Vol. 25(2)1964. JSTOR. [Cross Ref]

[3] Bozarslan Hamit. REPRESENTING IRAQ HISTORY THROUGH THE ARTSWriting the Modern History of Iraq. p. 403–406. 2012. WORLD SCIENTIFIC. [Cross Ref]

[4] Cockrell-Abdullah Autumn. Art and AgencyAdvances in Public Policy and Administration. p. 320–342. 2019. IGI Global. [Cross Ref]

[5] Cockrell-Abdullah Autumn. Constituting Histories Through Culture In Iraqi Kurdistan. Zanj: The Journal of Critical Global South Studies. Vol. 2(1)2018. Pluto Journals. [Cross Ref]

[6] Cockrell-Abdullah Autumn. Guest Editor's Introduction: Toward a Greater Understanding of Contemporary Kurdish Art and Aesthetics. Journal of Intersectionality. Vol. 2(2)2018. Pluto Journals. [Cross Ref]

[7] Cockrell-Abdullah Autumn. There Is No Kurdish Art. Journal of Intersectionality. Vol. 2(2)2018. Pluto Journals. [Cross Ref]

[8] DAVIES STEPHEN. Defining Art and Artworlds. The Journal of Aesthetics and Art Criticism. Vol. 73(4):375–384. 2015. Oxford University Press (OUP). [Cross Ref]

[9] Freedom without Permission. 2016. Duke University Press. [Cross Ref]

[10] Kwon Miwon. One Place after Another. 2002. The MIT Press. [Cross Ref]

[11] Lederach John Paul. The Moral Imagination. 2005. Oxford University PressNew York. [Cross Ref]

[12] Shank Michael, Schirch Lisa. Strategic Arts-Based Peacebuilding. Peace & Change. Vol. 33(2):217–242. 2008. Wiley. [Cross Ref]