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      Civic Engagement, Public Intellectualism, and Art



            Revisiting a previously unpublished analysis of the Clamor (2016) and Tekist (2017) art shows presented at the Fine Arts Institute and the Museum of Modern Art in Sulaimani, Iraqi Kurdistan, Cockrell-Abdullah considers the spaces in which artists are siting their work so that they may speak to specific public audiences and their social and cultural concerns, and how this work creates sheltered civic space in Kurdish society that allows for open discussion of social problems.


            Author and article information

            Journal of Intersectionality
            11 November 2022
            : 6
            : 1
            : 79-98
            [1 ] Department of Political Science, Agnes Scott College, Georgia, USA
            The Authors

            Published under Creative Commons Attribution 4.0 International ( CC BY 4.0). Users are allowed to share (copy and redistribute the material in any medium or format) and adapt (remix, transform, and build upon the material for any purpose, even commercially), as long as the authors and the publisher are explicitly identified and properly acknowledged as the original source.


            Data sharing not applicable to this article as no datasets were generated or analysed during the current study.
            Political science,Arts,Social & Behavioral Sciences,Cultural studies
            Kurdish art,Iraqi Kurdistan,Clamor,Tekist,Sulaimani,site-specific art,intersectionality,conflict


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