COMPUTER ART & OUTPUT THE IMPASSIVE LINE.

This paper considers the issue of digital output in the light of the author’s early experience of observing plotter drawings at the Slade School of Art in the mid 1970’s. The paper proceeds to discuss the author’s own work in terms of a range of outputs and their implications in forming a relationship between old and new technologies. Other artists referenced in this paper include Michael Craig-Martin and Kathy Prendergast. The paper draws on research from the AHRC funded project, The Personalised Surface within Fine Art Digital Printmaking.

Content

Author and article information

Contributors

Professor Paul Coldwell

Conference

Publication date: February 2010

Publication date (Print): February 2010

Pages: 125-136

Affiliations

[0001]Chelsea College of Art & Design

University of the Arts London

16 John Islip St

London

SW1P 4JU

Article

DOI: 10.14236/ewic/CAT2010.14

SO-VID: 534cb5da-6421-45c8-80c3-95ac760fa443

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: CAT 2010: Ideas before their time : Connecting the past and present in computer art

Conference acronym: CAT

Conference number:

Conference location: London

Conference date: 3 February 2010

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: CAT 2010: Ideas before their time : Connecting the past and present in computer art

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/CAT2010.14

Self URI (journal page): https://ewic.bcs.org/

Celebrating 65 years of The Computer Journal - free-to-read perspectives - bcs.org/tcj65

COMPUTER ART & OUTPUT THE IMPASSIVE LINE.

Abstract