THE DIGITAL ATELIER: HOW SUBTRACTIVE TECHNOLOGIES CREATE NEW FORMS

The Digital Atelier: For 50 years artists have been utilising the convergence and combination of different technologies to produce visually and intellectually challenging artworks. These artists create compelling artefacts that engage the pragmatics of technology and the free invention of art and bring them to a successful synthesis. A close examination of work from the past and present reveals how advanced digital design methods and subtractive fabrication processes have been used to make physical things from virtual data.

Content

Author and article information

Contributors

Professor Jeremy Gardiner

Conference

Publication date: February 2010

Publication date (Print): February 2010

Pages: 137-148

Affiliations

[0001]Senior Research Fellow,

Department of History of Art and Screen Media,

Birkbeck, University of London, 43, Gordon Square,

Bloomsbury, London WC1H OPD UK

www.technocultures.org

Article

DOI: 10.14236/ewic/CAT2010.15

SO-VID: 627d097b-2c75-43bb-9a38-c7f8d88e1b0d

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: CAT 2010: Ideas before their time : Connecting the past and present in computer art

Conference acronym: CAT

Conference number:

Conference location: London

Conference date: 3 February 2010

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: CAT 2010: Ideas before their time : Connecting the past and present in computer art

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/CAT2010.15

Self URI (journal page): https://ewic.bcs.org/

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THE DIGITAL ATELIER: HOW SUBTRACTIVE TECHNOLOGIES CREATE NEW FORMS

Abstract