DIGITAL PHYSICALITY: PRINTMAKING

This short paper revisits a few aspects of digital physicality in my experimentation with computer-aided printmaking during the 1980s and early 1990s. Topics include integration of hand-made and computer-generated, programmed and serendipitous, and output with a variety of traditional and digital printmaking techniques. My artwork in media other than printmaking is not addressed in this paper

Content

Author and article information

Contributors

Isaac Kerlow

Conference

Publication date: February 2010

Publication date (Print): February 2010

Pages: 149-156

Affiliations

[0001]Nanyang Technological University

School of Art, Design and Media

Earth Observatory of Singapore

Singapore

Article

DOI: 10.14236/ewic/CAT2010.16

SO-VID: a08bad88-bbe5-4956-9144-23222db2b9ba

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: CAT 2010: Ideas before their time : Connecting the past and present in computer art

Conference acronym: CAT

Conference number:

Conference location: London

Conference date: 3 February 2010

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: CAT 2010: Ideas before their time : Connecting the past and present in computer art

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/CAT2010.16

Self URI (journal page): https://ewic.bcs.org/

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DIGITAL PHYSICALITY: PRINTMAKING

Abstract