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      Electronic Visualisation and the Arts (EVA 2010) - Index

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      Electronic Visualisation and the Arts (EVA 2010) (EVA)
      Electronic Visualisation and the Arts
      5 - 7 July 2010


            Electronic Visualisation and the Arts London 2010 (EVA 2010) is co-sponsored by the Computer Arts Society and BCS, The Chartered Institute for IT, of which the Computer Arts Society is a specialist group. Since 1992, the EVA conference series has established itself as a natural home from which to explore the richly interdisciplinary and constantly evolving world of digital visualisation. Nothing illustrates this more than the great scope, depth and diversity of the papers contained within this year's Proceedings.

            The latest research in digital arts and new media are explored, with contributors ranging from established scholars to the new generation of research students who will lead the field tomorrow. Conference papers cover reconstructive archaeology, virtual museology, digital arts concepts and practice, immersive environments, and digital performance and music.

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            Session 1: Electronic arts

            Alicia Bastos Discovering digital cultural capital in London’s events of art and technology: reviewing the last decade http://dx.doi.org/10.14236/ewic/EVA2010.1

            Jeremy Pilcher Legal networks: visualising the violence of the law http://dx.doi.org/10.14236/ewic/EVA2010.2

            Almila Akdag Salah The online potential of art creation and dissemination: DeviantArt as the next art venue http://dx.doi.org/10.14236/ewic/EVA2010.3

            Keynote paper

            Peter Cochrane Beyond seeing is believing http://dx.doi.org/10.14236/ewic/EVA2010.4

            Session 2: Data, art and time

            Alex McLean, et al. Visualisation of live code http://dx.doi.org/10.14236/ewic/EVA2010.5

            Pedro Rebelo and Robert King Anticipation in networked musical performance http://dx.doi.org/10.14236/ewic/EVA2010.6

            Ernest Edmonds Beyond abstract film: constructivist digital time http://dx.doi.org/10.14236/ewic/EVA2010.7

            Keynote paper

            Seb Chan Tracking interactions: new ways of finding value in the use of museums http://dx.doi.org/10.14236/ewic/EVA2010.8

            Session 3: The digital museum

            Blanca Acuña A new media approach: visualisation of a digital exhibition. Research on representation and design of cultural interfaces http://dx.doi.org/10.14236/ewic/EVA2010.9

            Sam Hinton and Mitchell Whitelaw Exploring the digital commons: an approach to the visualisation of large heritage datasets http://dx.doi.org/10.14236/ewic/EVA2010.10

            Arden Kirkland, et al. Context for costumes: faceted access to historic costumes http://dx.doi.org/10.14236/ewic/EVA2010.11

            Session 4: Digital museum 2

            Theopisti Stylianou-Lambert and Elena Stylianou A third space: reconsidering issues of neutrality and accessibility in the virtual art museum http://dx.doi.org/10.14236/ewic/EVA2010.12

            Yvonne Hellin-Hobbs The constructivist museum and the web http://dx.doi.org/10.14236/ewic/EVA2010.13

            Ingrid Beazley, et al. Dulwich OnView: an art museum-based virtual community generated by the local community http://dx.doi.org/10.14236/ewic/EVA2010.14

            Steven Snyder and Karen Elinich Augmented reality for interpretive and experiential learning http://dx.doi.org/10.14236/ewic/EVA2010.15

            Luciana Bordoni and Giuseppe Moscara A system for the investigation of cracks http://dx.doi.org/10.14236/ewic/EVA2010.16

            Session 5: Art through evolutionary computation

            Dew Harrison Exploring Duchampian and Darwinian ideas through interactive means http://dx.doi.org/10.14236/ewic/EVA2010.17

            Barry Dean and Ian Parmee Integration of user-centred evolutionary computation with digital visualisation http://dx.doi.org/10.14236/ewic/EVA2010.18

            Mohammad A Yaghan The evolution of architectural forms through computer visualisation: muqarnas example http://dx.doi.org/10.14236/ewic/EVA2010.19

            ArefeDalvandi, et al. Exploring Persian rug design using a computational evolutionary approach http://dx.doi.org/10.14236/ewic/EVA2010.20

            Session 6: Digital art issues

            Murat Germen Photography as a tool of alienation: Aura http://dx.doi.org/10.14236/ewic/EVA2010.21

            A Hoeben Using a projected Trompe L'Oeil to highlight a church interior from the inside http://dx.doi.org/10.14236/ewic/EVA2010.22

            R Collmann and A Borda Simulated-3D visualisation of artefacts using a portable electromechanical object rig http://dx.doi.org/10.14236/ewic/EVA2010.23

            Lindsay MacDonald The limits of resolution http://dx.doi.org/10.14236/ewic/EVA2010.24

            Keynote paper

            David Giaretta Digital preservation: terminology, techniques, testing and trust http://dx.doi.org/10.14236/ewic/EVA2010.25

            Session 7: Digital art issues

            Gregory Sporton Creative identity theft: issues for artists in collaborative online environments http://dx.doi.org/10.14236/ewic/EVA2010.26

            Annamaria Carusi, et al. Are digital picturings representations? http://dx.doi.org/10.14236/ewic/EVA2010.27

            Session 8: Electronic resources for the public

            Jules Moloney Mixed reality and curatorial design: from existing practice to the nomad_tech museum http://dx.doi.org/10.14236/ewic/EVA2010.28

            Lisa Dieckmann, et al. Meta-Image - a collaborative environment for the image discourse http://dx.doi.org/10.14236/ewic/EVA2010.29

            Karol Kwiatek and Martin Woolner. Let me understand the poetry: embedding interactive storytelling within panoramic virtual environments http://dx.doi.org/10.14236/ewic/EVA2010.30

            Sylvia Grace Borda Digital image archives as public artwork and community engagement http://dx.doi.org/10.14236/ewic/EVA2010.31

            Session 9: Music and art

            Matt Benatan, et al. MiMic: a motion control interface for music http://dx.doi.org/10.14236/ewic/EVA2010.32

            Martha Gabriel Voice interfaces in electronic art http://dx.doi.org/10.14236/ewic/EVA2010.33

            Kia Ng and Bee Ong Interactive multimedia rocks for geology http://dx.doi.org/10.14236/ewic/EVA2010.34

            Lisa Dalhuijsen and Lieven van Velthoven MusicalNodes, the visual music library http://dx.doi.org/10.14236/ewic/EVA2010.35

            Keynote paper

            Alan Read The ceramic age: a gloss on depth http://dx.doi.org/10.14236/ewic/EVA2010.36

            Session 10: Digital performance

            Richard Hoadley Implementation and development of sculptural interfaces for digital performance of music through embodied expression http://dx.doi.org/10.14236/ewic/EVA2010.37

            Sam Bailey, et al. Eye.Breathe.Music: creating music through minimal movement http://dx.doi.org/10.14236/ewic/EVA2010.38

            Session 11: Digital arts practice

            David R. Burns The valuation of emerging media arts in the age of digital reproduction http://dx.doi.org/10.14236/ewic/EVA2010.39

            Chris Cornish Media archaeology in art practice http://dx.doi.org/10.14236/ewic/EVA2010.40

            Rui Filipe Antunes and Frederic Fol Leymarie Virtual worlds as art practice: EvoArt methodologies http://dx.doi.org/10.14236/ewic/EVA2010.41

            Anne James and Dai Nagasaka Architectonic influences of multimedia and their spatial significance http://dx.doi.org/10.14236/ewic/EVA2010.42

            Keynote paper

            Oliver Grau Renewing knowledge structures for Media Art http://dx.doi.org/10.14236/ewic/EVA2010.43

            Session 12: Digital perceptions

            Steve DiPaola Face, portrait, mask - using a parameterised system to explore synthetic face space http://dx.doi.org/10.14236/ewic/EVA2010.44

            Fernanda D'Agostino, et al. Motion Studies: an art and science collaboration http://dx.doi.org/10.14236/ewic/EVA2010.45

            Julie Innes Capturing worlds http://dx.doi.org/10.14236/ewic/EVA2010.46

            Session 13: Art in the digital age

            Lisa Newman Flesh for fantasy: the future of sadomasochism and performance art in virtual worlds http://dx.doi.org/10.14236/ewic/EVA2010.47

            Phil Hawks The relevance of traditional drawing in the digital age http://dx.doi.org/10.14236/ewic/EVA2010.48

            Session 14: Digital understandings of the past

            Stephen Caffey, et al. Reconstructing the Music Hall Rotunda and Annex at Vauxhall Pleasure Gardens c. 1764 http://dx.doi.org/10.14236/ewic/EVA2010.49

            Martin Crampin New light on old stone: recording and reinventing visual culture http://dx.doi.org/10.14236/ewic/EVA2010.50

            Session 15: Experiencing history

            Wally Smith, et al. Re-connecting visual content to place in a mobile guide for the Shrine of Remembrance http://dx.doi.org/10.14236/ewic/EVA2010.51

            Stephen Boyd Davis, et al. Just in time: defining historical chronographics http://dx.doi.org/10.14236/ewic/EVA2010.52

            Tony Longson Ideas and influences http://dx.doi.org/10.14236/ewic/EVA2010.53

            Author and article information

            July 2010
            July 2010
            Copyright @ 2010

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2010)
            London, UK
            5 - 7 July 2010
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts

            1477-9358 BCS Learning & Development

            Self URI (journal page): https://ewic.bcs.org/
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction


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