Papers:
Session 1: Electronic arts
Alicia Bastos Discovering digital cultural capital in London’s events of art and technology: reviewing the last decade http://dx.doi.org/10.14236/ewic/EVA2010.1
Jeremy Pilcher Legal networks: visualising the violence of the law http://dx.doi.org/10.14236/ewic/EVA2010.2
Almila Akdag Salah The online potential of art creation and dissemination: DeviantArt as the next art venue http://dx.doi.org/10.14236/ewic/EVA2010.3
Session 2: Data, art and time
Alex McLean, et al. Visualisation of live code http://dx.doi.org/10.14236/ewic/EVA2010.5
Pedro Rebelo and Robert King Anticipation in networked musical performance http://dx.doi.org/10.14236/ewic/EVA2010.6
Ernest Edmonds Beyond abstract film: constructivist digital time http://dx.doi.org/10.14236/ewic/EVA2010.7
Keynote paper
Seb Chan Tracking interactions: new ways of finding value in the use of museums http://dx.doi.org/10.14236/ewic/EVA2010.8
Session 3: The digital museum
Blanca Acuña A new media approach: visualisation of a digital exhibition. Research on representation and design of cultural interfaces http://dx.doi.org/10.14236/ewic/EVA2010.9
Sam Hinton and Mitchell Whitelaw Exploring the digital commons: an approach to the visualisation of large heritage datasets http://dx.doi.org/10.14236/ewic/EVA2010.10
Arden Kirkland, et al. Context for costumes: faceted access to historic costumes http://dx.doi.org/10.14236/ewic/EVA2010.11
Session 4: Digital museum 2
Theopisti Stylianou-Lambert and Elena Stylianou A third space: reconsidering issues of neutrality and accessibility in the virtual art museum http://dx.doi.org/10.14236/ewic/EVA2010.12
Yvonne Hellin-Hobbs The constructivist museum and the web http://dx.doi.org/10.14236/ewic/EVA2010.13
Ingrid Beazley, et al. Dulwich OnView: an art museum-based virtual community generated by the local community http://dx.doi.org/10.14236/ewic/EVA2010.14
Steven Snyder and Karen Elinich Augmented reality for interpretive and experiential learning http://dx.doi.org/10.14236/ewic/EVA2010.15
Luciana Bordoni and Giuseppe Moscara A system for the investigation of cracks http://dx.doi.org/10.14236/ewic/EVA2010.16
Session 5: Art through evolutionary computation
Dew Harrison Exploring Duchampian and Darwinian ideas through interactive means http://dx.doi.org/10.14236/ewic/EVA2010.17
Barry Dean and Ian Parmee Integration of user-centred evolutionary computation with digital visualisation http://dx.doi.org/10.14236/ewic/EVA2010.18
Mohammad A Yaghan The evolution of architectural forms through computer visualisation: muqarnas example http://dx.doi.org/10.14236/ewic/EVA2010.19
ArefeDalvandi, et al. Exploring Persian rug design using a computational evolutionary approach http://dx.doi.org/10.14236/ewic/EVA2010.20
Session 6: Digital art issues
Murat Germen Photography as a tool of alienation: Aura http://dx.doi.org/10.14236/ewic/EVA2010.21
A Hoeben Using a projected Trompe L'Oeil to highlight a church interior from the inside http://dx.doi.org/10.14236/ewic/EVA2010.22
R Collmann and A Borda Simulated-3D visualisation of artefacts using a portable electromechanical object rig http://dx.doi.org/10.14236/ewic/EVA2010.23
Lindsay MacDonald The limits of resolution http://dx.doi.org/10.14236/ewic/EVA2010.24
Keynote paper
David Giaretta Digital preservation: terminology, techniques, testing and trust http://dx.doi.org/10.14236/ewic/EVA2010.25
Session 7: Digital art issues
Gregory Sporton Creative identity theft: issues for artists in collaborative online environments http://dx.doi.org/10.14236/ewic/EVA2010.26
Annamaria Carusi, et al. Are digital picturings representations? http://dx.doi.org/10.14236/ewic/EVA2010.27
Session 8: Electronic resources for the public
Jules Moloney Mixed reality and curatorial design: from existing practice to the nomad_tech museum http://dx.doi.org/10.14236/ewic/EVA2010.28
Lisa Dieckmann, et al. Meta-Image - a collaborative environment for the image discourse http://dx.doi.org/10.14236/ewic/EVA2010.29
Karol Kwiatek and Martin Woolner. Let me understand the poetry: embedding interactive storytelling within panoramic virtual environments http://dx.doi.org/10.14236/ewic/EVA2010.30
Sylvia Grace Borda Digital image archives as public artwork and community engagement http://dx.doi.org/10.14236/ewic/EVA2010.31
Session 9: Music and art
Matt Benatan, et al. MiMic: a motion control interface for music http://dx.doi.org/10.14236/ewic/EVA2010.32
Martha Gabriel Voice interfaces in electronic art http://dx.doi.org/10.14236/ewic/EVA2010.33
Kia Ng and Bee Ong Interactive multimedia rocks for geology http://dx.doi.org/10.14236/ewic/EVA2010.34
Lisa Dalhuijsen and Lieven van Velthoven MusicalNodes, the visual music library http://dx.doi.org/10.14236/ewic/EVA2010.35
Session 10: Digital performance
Richard Hoadley Implementation and development of sculptural interfaces for digital performance of music through embodied expression http://dx.doi.org/10.14236/ewic/EVA2010.37
Sam Bailey, et al. Eye.Breathe.Music: creating music through minimal movement http://dx.doi.org/10.14236/ewic/EVA2010.38
Session 11: Digital arts practice
David R. Burns The valuation of emerging media arts in the age of digital reproduction http://dx.doi.org/10.14236/ewic/EVA2010.39
Chris Cornish Media archaeology in art practice http://dx.doi.org/10.14236/ewic/EVA2010.40
Rui Filipe Antunes and Frederic Fol Leymarie Virtual worlds as art practice: EvoArt methodologies http://dx.doi.org/10.14236/ewic/EVA2010.41
Anne James and Dai Nagasaka Architectonic influences of multimedia and their spatial significance http://dx.doi.org/10.14236/ewic/EVA2010.42
Keynote paper
Oliver Grau Renewing knowledge structures for Media Art http://dx.doi.org/10.14236/ewic/EVA2010.43
Session 12: Digital perceptions
Steve DiPaola Face, portrait, mask - using a parameterised system to explore synthetic face space http://dx.doi.org/10.14236/ewic/EVA2010.44
Fernanda D'Agostino, et al. Motion Studies: an art and science collaboration http://dx.doi.org/10.14236/ewic/EVA2010.45
Julie Innes Capturing worlds http://dx.doi.org/10.14236/ewic/EVA2010.46
Session 13: Art in the digital age
Lisa Newman Flesh for fantasy: the future of sadomasochism and performance art in virtual worlds http://dx.doi.org/10.14236/ewic/EVA2010.47
Phil Hawks The relevance of traditional drawing in the digital age http://dx.doi.org/10.14236/ewic/EVA2010.48
Session 14: Digital understandings of the past
Stephen Caffey, et al. Reconstructing the Music Hall Rotunda and Annex at Vauxhall Pleasure Gardens c. 1764 http://dx.doi.org/10.14236/ewic/EVA2010.49
Martin Crampin New light on old stone: recording and reinventing visual culture http://dx.doi.org/10.14236/ewic/EVA2010.50
Session 15: Experiencing history
Wally Smith, et al. Re-connecting visual content to place in a mobile guide for the Shrine of Remembrance http://dx.doi.org/10.14236/ewic/EVA2010.51
Stephen Boyd Davis, et al. Just in time: defining historical chronographics http://dx.doi.org/10.14236/ewic/EVA2010.52
Tony Longson Ideas and influences http://dx.doi.org/10.14236/ewic/EVA2010.53