In their pioneering paper “The Creative Process Where the Artist is Amplified or Superseded by the Computer” (1973) Cornock and Edmonds describe a model for the classification of artworks according to their systemic behaviour. In this presentation I revisit this model, discuss its subsequent development (Edmonds, Turner & Candy, 2004) and present an extension to it that incorporates my own research into the use of the theory of autopoiesis (Maturana & Varela, 1987) as basis for an expanded description of the ‘interactive art system’.
Content
Author and article information
Contributors
Sean Clark
Conference
Publication date:
July
2011
Publication date
(Print):
July
2011
Page: 205
Affiliations
[0001]School of Art and Design, De Montfort University
The Gateway, Leicester, LE1 9BH, United Kingdom