Having been granted access to the archive and to objects that are seldom seen outside their acid free boxes, this presentation explores ways in which phenomenological approaches to the process of filming and editing can capture the experience of perception as a springboard for the creative impetus.
Content
Author and article information
Contributors
Donatella Barbieri
Conference
Publication date:
July
2011
Publication date
(Print):
July
2011
Page: 206
Affiliations
[0001]London College of Fashion / Victoria and Albert Museum
United Kingdom