Theatre Design and Digitisation

My general theme is the centuries old quest for an illusionistic space that appears bigger than the confines of the theatre stage, yet can contain live actors and be animated. Computers have in the last 15 years, significantly enhanced the possibilities of theatrical spacial illusion, movement and atmosphere, thus allowing theatre practitioners immense freedom in storytelling for a visually sophisticated public.

Content

Author and article information

Contributors

William Dudley

Conference

Publication date: July 2012

Publication date (Print): July 2012

Pages: 143-146

Affiliations

[0001]RDI

http://bill-d.cgsociety.org

http://gallery.me.com/wsdudley

Article

DOI: 10.14236/ewic/EVA2012.2

SO-VID: db2a8e6a-4565-4465-847f-0c458bd171ab

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2012)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 10 - 12 July 2012

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2012.2

Self URI (journal page): https://ewic.bcs.org/

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Theatre Design and Digitisation

Abstract