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      Creative Computing and the Re-Configuration of Dance Ontology

      Electronic Visualisation and the Arts (EVA 2012) (EVA)

      Electronic Visualisation and the Arts

      10 - 12 July 2012

      Dance Ontology, Digital Reveal, Embody

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          Abstract

          This paper assesses the impact of the Choreographic Language Agent and the Digital Dance Archives on dance ontology. Enhanced visualisation - afforded by digital technology – impacts on the essential ontological features of dance, such as ephememerality and the human body. Referring to the work of Nelson Goodman (1968) and Martin Heidegger (1977), I discuss the significance of creative programming for dance, asking what such tools reveal about the ontology of the form and existing concepts of movement, notation and embodiment.

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          Author and article information

          Contributors
          Conference
          July 2012
          July 2012
          : 221-228
          Affiliations
          King’s College London

          1D Chesham Building

          Strand, London. WC2R 2LS
          10.14236/ewic/EVA2012.38
          © Hetty Blades. Published by BCS Learning and Development Ltd. Electronic Visualisation and the Arts (EVA 2012), London, UK

          This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

          Electronic Visualisation and the Arts (EVA 2012)
          EVA
          London, UK
          10 - 12 July 2012
          Electronic Workshops in Computing (eWiC)
          Electronic Visualisation and the Arts
          Product
          Product Information: 1477-9358 BCS Learning & Development
          Self URI (journal page): https://ewic.bcs.org/
          Categories
          Electronic Workshops in Computing

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