This paper explores different methods, techniques and workflow of tonemapping digital photographs of real world environments being employed by the researcher-practitioner, and, the merits and limitations associated with each. Three different real world environments are considered in order to test these methods and techniques under different lighting conditions, movement within the scene and the desired visual aesthetic of the researcher-practitioner.
Content
Author and article information
Contributors
Rehan Zia
Conference
Publication date:
July
2014
Publication date
(Print):
July
2014
Page: 104
Affiliations
[0001]Bournemouth University
The Media School
Dorset BH12 5BB, UK