Live Engagement with Data

Abstract

‘Electronic Visualisation & the Arts’ conferences were founded in the early nineties to respond to the burgeoning visual research opened up by digital technologies, particularly in museum and heritage sectors. Since then, renderings and uses of digital data have massively extended traditional literacy - i.e. discursive analysis of computationally processed findings - to increasingly mobilise our overal perceptive apparatus, notably its visual, auditory, and haptic functions.

Affiliations

University of Sussex

Attenborough Centre for the Creative Arts

Brighton BN1 9RH, UK

Contributors

Sally Jane Norman

Conference

Publication date: July 2014

Publication date (Print): July 2014

Page: 21

DOI: 10.14236/ewic/EVA2014.4

Copyright statement: © Sally Jane Norman. Published by BCS Learning and Development Ltd. Electronic Visualisation and the Arts (EVA 2014), London, UK

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2014)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 8 - 10 July 2014

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts (EVA 2014)

Product

Product Information: 1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2014.4

Self URI (journal page): https://ewic.bcs.org/

Categories

Series title: Electronic Workshops in Computing