Live Engagement with Data

‘Electronic Visualisation & the Arts’ conferences were founded in the early nineties to respond to the burgeoning visual research opened up by digital technologies, particularly in museum and heritage sectors. Since then, renderings and uses of digital data have massively extended traditional literacy - i.e. discursive analysis of computationally processed findings - to increasingly mobilise our overal perceptive apparatus, notably its visual, auditory, and haptic functions.