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      The Unstoppable Rise of Mobile Imaging and Aesthetics

      proceedings-article

      Electronic Visualisation and the Arts (EVA 2014) (EVA)

      Electronic Visualisation and the Arts (EVA 2014)

      8 - 10 July 2014

      Mobile imaging, Individuality, Digital aesthetics, Visual communication, Contemporary photography

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            Abstract

            Smart phones are ubiquitous; light, portable and indispensable. The spatial, perceptive and visual connections among scene, subject and photographer are different, compared to a regular camera. This fact enables the photographer to focus on different topics, try practices s/he has not tried before. Mobile devices change the way we create, edit, sequence and share photography. When you do street photography with a smart phone camera, one of the advantages is that people do not really understand where you aim at and what you photograph. They do not react as consciously as they would in front of a regular camera. The reason is; almost all people, including locals and tourists, own a smart phone and taking a snap with them is very common practice for all. Okabe and Ito (2006) argue that: “The camera phone is a more ubiquitous presence, and is used for more personal, less objectified viewpoint and sharing among intimates. It tends to be used more frequently as a kind of archive of a personal trajectory or viewpoint on the world, a collection of fragments of everyday life.„

            Content

            Author and article information

            Contributors
            Conference
            July 2014
            July 2014
            : 301-308
            Affiliations
            [0001]Sabanc? University, FASS

            Orhanli, Tuzla, 34956,

            Istanbul, Turkey
            Article
            10.14236/ewic/EVA2014.71
            1e06548a-59e6-4240-8a02-083e70503f4f
            © Murat Germen. Published by BCS Learning and Development Ltd. Electronic Visualisation and the Arts (EVA 2014), London, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2014)
            EVA
            London, UK
            8 - 10 July 2014
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts (EVA 2014)
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

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