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      Revealing the Colours of the Apocalypse through Visual Music

      proceedings-article
      1
      Electronic Visualisation and the Arts (EVA)
      Electronic Visualisation and the Arts
      12 - 14 July 2016
      Visual mMusic, Olivier Messiaen, Quartet for the End of Time, Clarinet, Chartres Cathedral
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            Abstract

            It was in his Quartet for the End of Time that Olivier Messiaen began a life-long process of discovery, not only into his inner world of colour but, also, into a sound world which eliminated conventional notions of musical time. He regarded himself as a composer and rhythmatician and the task he set himself, in his Quartet, was to produce a rhythmic system that could emulate the patterns of nature. The Apocalyptic inference of the Quartet’s title was deliberate; it followed directly from the vision Messiaen experienced when he was a prisoner of war, in 1940. My own visual interpretation of Abîme des oiseaux, the 3 rd movement of the Quartet, has been influenced by two key facts. First, Messiaen’s ability to see his own music, and that of other composers, in vivid colours. Secondly, the life-long inspiration that Messiaen gained from the shimmering stained glass windows of Chartres Cathedral. Details of just one Rose Window have enabled me to interpret, visually, the extreme conflicts of mood conveyed by Messiaen’s music. For the composer, the Angel who announces the End of Time means the dissolution of musical time in a multitude of new rhythmic ways. My aim has been to create a pattern book of images where each of Messiaen’s innovative rhythmic patterns has its visual counterpart. To achieve this end, I have explored new techniques and methods for producing Visual Music which seek to give some outward expression to the composer’s Apocalyptic vision.

            Content

            Author and article information

            Contributors
            Conference
            July 2016
            July 2016
            : 5-9
            Affiliations
            [1 ] London NW8 9RE

            United Kingdom
            Article
            10.14236/ewic/EVA2016.2
            190ef734-370b-4c80-81f4-382ed07d7418

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts
            EVA
            London, UK
            12 - 14 July 2016
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2016.2
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Visual mMusic,Clarinet,Olivier Messiaen,Chartres Cathedral,Quartet for the End of Time

            REFERENCES

            1. 1986 Messiaen’s Synaesthesia: The Correspondence between Color and Sound Structure in His Music. Music Perception 4 1 41 68

            2. 1986 Olivier Messiaen: Music and Color. Portland, Oregon Amadeus Press

            3. 2003 For the End of Time: the story of the Messiaen quartet. New York Cornell University Press

            4. 1942 Preface to Quatuor pour la fin du temps. Paris Durand. S.A

            5. 1966 The technique of my Musical Language, (English translation). Paris Alphonse Leduc

            6. 2015 Abîme des oiseaux (Abyss of the Birds) Video ext-link-type="uri" xlink:href="https://youtu.be/cfVGnPnLddM">https://youtu.be/cfVGnPnLddM

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