Coded Communication: Digital Senses and Aesthetics, Merging Art and Life

This one-day symposium framed several central questions in digital practice and digital theory, examining historical and contemporary themes across art, science and the humanities. Art has been transformed by the digital age, changing the tools and processes of practice, moving to digital expressions and digital seeing. These changes are balanced by the recurrent questions of the human condition, and of the ways that art both defines and transcends its time. In what ways does digital art address the social, cultural and historical debates of this time, without being simply determined by its technologies? And how can emergent disciplines around digital aesthetics and the digital humanities converse with the work of artists, innovators and technologists? In what ways does the new digital palette afforded by contemporary media open new ways of seeing, sensing and understanding the world? The symposium organisers invited a range of artists and theorists to discuss these themes, framed in the broader contexts of electronic visualisation and digital art of the EVA London conference.

Content

Author and article information

Contributors

Jonathan P. Bowen

Tula Giannini

Gareth Polmeer

Conference

Publication date: July 2017

Publication date (Print): July 2017

Pages: 1-8

Affiliations

[0001]London South Bank University

School of Engineering

London, UK

http://www.jpbowen.com

[0002]Pratt Institute

School of Information

New York, USA

http://mysite.pratt.edu/~giannini/

[0003]Royal College of Art

School of Humanities

London, UK

http://www.garethpolmeer.com

Article

DOI: 10.14236/ewic/EVA2017.1

SO-VID: d3ac9a28-9dbe-4a76-adcb-19e7d14ce61c

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2017)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 11 – 13 July 2017

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.1

Self URI (journal page): https://ewic.bcs.org/

7. BIBLIOGRAPHY

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R. Parry 2010 Museums in a Digital Age Routledge
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G. Polmeer 2015 Sequences and intervals Leonardo Journal 48 2 196 197 April Cambridge, MA MIT Press DOI:10.1162/LEONa00984
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C. RattiM. Claudel 2016 The City of Tomorrow: Sensors, Networks and the Future of Urban Life. The Future Series Yale University Press
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Comments

Comment on this article

[1] I. Beazley 2015 Street Art, Fine Art. Heni Publishing

[2] I. Beazley 2016 Street Art, Book Art. Heni Publishing

[3] I. BeazleyJ. P. BowenA. H.-Y. LiuS. McDaid 2010 Dulwich OnView: An art museum-based virtual community generated by the local community A. SealJ. P. BowenK. Ng EVA London 2010 Conference Proceedings. BCS, Electronic Workshops in Computing 7986 http://ewic.bcs.org/content/ConWebDoc/36053 28 April 2017

[4] H. BeddardD. Dodds 2013 Digital Pioneers. V&A Pattern series London V&A Publishing

[5] A. BordaJ. P. Bowen 2017 Smart cities and cultural heritage - A review of developments and future opportunities Bowen et al 2017

[6] J. P. Bowen 2016 Alan Turing: Virtuosity and visualisation Bowen et al 2016 197 204 DOI:10.14236/ewic/EVA2016.40

[7] J. P. BowenJ. BennettJ. Johnson 1998 Virtual visits to virtual museums MW98: Museums and the Web 1998 Toronto, Canada 22-25 April Archives & Museum Informatics. http://www.museumsandtheweb.com/mw98/papers/bowen/bowenpaper.html 3 May 2017

[8] J. P. BowenA. M. BowenK. Harrison 2016 Creative visualisation in chemistry International Journal of Creative Computing 1 2/3/4 231 273

[9] J. P. BowenG. DiproseN. Lambert 2016 EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. http://www.bcs.org/ewic/eva2016 28 April 2017

[10] J. P. BowenG. DiproseN. Lambert 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing. http://www.bcs.org/ewic/eva2017 (This volume.)

[11] J. P. BowenT. Giannini 2014 Digitalism: the new realism? K. NgJ. P. BowenS. McDaid EVA London 2014: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 324 331 DOI:10.14236/ewic/eva2014.38

[12] J. P. BowenT. Giannini 2015 Galois connections: Mathematics, art, and archives K. NgJ. P. BowenN. Lambert EVA London 2015: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing 176 183 DOI:10.14236/ewic/eva2015.18

[13] J. P. BowenT. Giannini 2016 From analogue to digital in literature and art Bowen et al 2016 1 4 DOI:10.14236/ewic/EVA2016.1

[14] J. P. BowenS. KeeneK. Ng 2013 Electronic Visualisation in Arts and Culture. Springer, Series on Cultural Computing

[15] J. P. BowenR. J. Wilson 2012 Visualising virtual communities: from Erdös to the arts S. DunnJ. P. BowenK. Ng EVA London 2012: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 238 244 http://ewic.bcs.org/content/ConWebDoc/46141 28 April 2017

[16] B. J. CopelandJ. P. BowenM. SprevakR. J. Wilson, et al 2017 The Turing Guide. Oxford University Press. http://tinyurl.com/TheTuringGuide

[17] G. Deleuze 2014 Francis Bacon: The Logic of Sensation. London Bloomsbury

[18] J. Derrida 2005 On Touching - Jean-Luc Nancy. Stanford, CA Stanford University Press

[19] C. FaustJ. Stockham 2014 The Negligent Eye. Liverpool Bluecoat

[20] S. Filippini-FantoniJ. P. Bowen 2007 Bookmarking in museums: Extending the museum experience beyond the visit? In MW2007: Museums and the Web 2007 San Francisco, USA 11-14 April Archives & Museum Informatics. http://www.museumsandtheweb.com/mw2007/papers/filippini-fantoni/filippini-fantoni.html 28 April 2017

[21] S. Filippini-FantoniJ. P. Bowen 2007 Mobile multimedia: Reflections from ten years of practice L. TallonK. Walker Digital Technologies and the Museum Experience: Handheld Guides and Other Media 79 96 AltaMira Press

[22] S. Freud 1905 Drei Abhandlungen zur Sexualtheorie. Leipzig/Vienna Franz Deuticke J. Strachey 1962 Three Essays on the Theory of Sexuality. New York Basic Books

[23] C. Gannis 2017 The augmented selfie Bowen et al 2017

[24] T. GianniniJ. P. Bowen 2014 The Brooklyn Visual Heritage website: Brooklyn’s museums and libraries collaborate for Project CHART MW2014: Museums and the Web 2014 Baltimore, USA 2-5 April http://mw2014.museumsandtheweb.com/paper/the-brooklyn-visual-heritage-website/ 3 May 2017

[25] T. GianniniJ. P. Bowen 2015 A New York Museums and Pratt partnership: Building Web collections and preparing museum professionals for the digital world MW2015: Museums and the Web 2015 Chicago, USA 8-11 April http://mw2015.museumsandtheweb.com/paper/a-new-york-museums-and-pratt-partnership-building-web-collections-and-preparing-museum-professionals-for-the-digital-world/ 28 April 2017

[26] T. GianniniJ. P. Bowen 2016 Curating digital life and culture: Art and information Bowen et al 2016 237 244 DOI:10.14236/ewic/EVA2016.46

[27] T. GianniniJ. P. Bowen 2017 Life in code and digits: When Shannon met Turing Bowen et al 2017

[28] T.-H. Hu 2016 A Prehistory of the Cloud. MIT Press

[29] L. Irigaray 1992 Elemental Passions. London Athlone Press

[30] M. McLuhan 1964 Understanding Media: The Extensions of Man. McGraw-Hill

[31] Nesta AHRC, and ACE 2014 Digital Culture 2014: How arts and cultural organisations in England use technology. Nesta, Arts & Humanities Research Council, Arts Council England. http://www.artscouncil.org.uk/sites/default/files/download-file/Diaital-Culture-2014-Research-Report2.pdf 2 May 2017

[32] Nesta AHRC, and ACE 2015 Digital Culture 2015: How arts and cultural organisations in England use technology Nesta, Arts & Humanities Research Council, Arts Council England. http://www.artscouncil.org.uk/sites/default/files/download-file/Diqital-Culture-2015-Final.pdf 2 May 2017

[33] NMC 2015 NMC Horizon Report: 2015 Museum Edition. https://www.nmc.org/publication/nmc-horizon-report-2015-museum-edition/ 2 May 2017

[34] NMC 2016 NMC Horizon Report: 2016 Museum Edition. https://www.nmc.org/publication/nmc-horizon-report-2016-museum-edition/ 2 May 2017

[35] R. Parry 2007 Recoding the Museum: Digital Heritage and the Technologies of Change Routledge

[36] R. Parry 2010 Museums in a Digital Age Routledge

[37] R. Parry 2013 The end of the beginning: Normativity in the postdigital museum Museum Worlds 1 24 39 DOI:10.3167/armw.2013.010103

[38] G. Polmeer 2015 Sequences and intervals Leonardo Journal 48 2 196 197 April Cambridge, MA MIT Press DOI:10.1162/LEONa00984

[39] G. Polmeer 2016 Sublating time: Hegel’s speculative philosophy and digital aesthetics Bowen et al 2016 257 264 DOI:10.14236/ewic/EVA2016.49

[40] C. RattiM. Claudel 2016 The City of Tomorrow: Sensors, Networks and the Future of Urban Life. The Future Series Yale University Press

[41] S. Shaviro 2016 Discognition Repeater Books

[42] Tate 2005 Yayoi Kusama: The Passing Winter. Tate Modern London, UK. http://www.tate.org.uk/art/artworks/kusama-the-passing-winter-t12821 6 May 2017

[43] Tate 2012 Angela Bulloch: Aluminium 4. Tate Modern London UK. http://www.tate.org.uk/art/artworks/bulloch-aluminium-4-t13848 6 May 2017

[44] E. Weizman 2012 Forensic Architecture: Notes from Fields and Forums. 100 Notes, 100 Thoughts: Documenta Series 062. Hatje Cantz

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