Divesting Control to the Machine in Digital Art

My work explores human-machine collaborations to generate creative outputs. Traditionally, computer agents have been conceived as mere tools to serve the artist. I explore this issue from a different perspective: I aim to research the role of the machine intelligence as a constrain to human control on the creative process. Specifically, I am interested in using forms of machine intelligence to take some of the decisions over the compositional process, leaving the human a limited control on the outcome.

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Author and article information

Contributors

Fabio Morreale

Conference

Publication date: July 2017

Publication date (Print): July 2017

Pages: 84-85

Affiliations

[0001]Center for Digital Music

Queen Mary University of London, UK

Article

DOI: 10.14236/ewic/EVA2017.16

SO-VID: 79bc7786-6967-42ed-a81a-ad0e3a41445b

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2017)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 11 – 13 July 2017

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

Product

Product Information: 1477-9358BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.16

Self URI (journal page): https://ewic.bcs.org/

3. REFERENCES

M. A. Boden 2004 The Creative Mind: Myths and mechanisms. Psychology Press
R. MasuA. ConciZ. MenestrinaF. MorrealeA. De Angeli 2016 Beatfield: An OpenMeaning Audiovisual Exploration COOP 2016 309 314 Springer International Publishing
F. MorrealeR. Masu 2016 Renegotiating Responsibilities in Human-Computer Ensembles Proc. Colloquio di Informatica Musicale Cagliari, Italy 28 September 1 October
F. MorrealeA. De Angeli 2016 Collaborating with an Autonomous Agent to Generate Affective Music Computers in Entertainment (CIE) 14 3 5
K. Perlin 1985 An image synthesizer ACM Siggraph Computer Graphics 19 3 287 296

Comments

Comment on this article

[1] M. A. Boden 2004 The Creative Mind: Myths and mechanisms. Psychology Press

[2] R. MasuA. ConciZ. MenestrinaF. MorrealeA. De Angeli 2016 Beatfield: An OpenMeaning Audiovisual Exploration COOP 2016 309 314 Springer International Publishing

[3] F. MorrealeR. Masu 2016 Renegotiating Responsibilities in Human-Computer Ensembles Proc. Colloquio di Informatica Musicale Cagliari, Italy 28 September 1 October

[4] F. MorrealeA. De Angeli 2016 Collaborating with an Autonomous Agent to Generate Affective Music Computers in Entertainment (CIE) 14 3 5

[5] K. Perlin 1985 An image synthesizer ACM Siggraph Computer Graphics 19 3 287 296