The Errant Space – The Reshaping of Place through the Visualisation of Ambient Environmental Audio

This paper explores issues contained within the works comprising the Errant Space – First Words cycle of installations. It does so within the contexts of pattern recognition, and notions of what might constitute a digital uncanny. Investigations have focused on the exploration of the momentary perception that there is something meaningful arising from a place where there should properly be nothing meaningful.

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Author and article information

Contributors

Alan Dunning

Conference

Publication date: July 2017

Publication date (Print): July 2017

Pages: 116-120

Affiliations

[0001]University of Calgary

2500 University Dr. NW, Calgary, AB T

Canada

Article

DOI: 10.14236/ewic/EVA2017.28

SO-VID: 348c2718-22e6-4f88-b888-3e859c1b8668

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2017)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 11 – 13 July 2017

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.28

Self URI (journal page): https://ewic.bcs.org/

6. REFERENCES

M. Antonioni 1966 Blow-Up Chapel Films London
A. Damasio 1994 Descartes Error. Avon Books New York
J. Dawson 2005 Blowup Senses of Cinema January Cinémathèque Annotations on Film, # 34 http://sensesofcinema.com/contents/cteq/05/34/blowup.html 1 May 2017
M. Gazzaniga 2009 The Split Brain Revisited Scientific American July 29
A. Grønstad 2004 Anatomy of a Murder: Bazin, Barthes, Blow-Up Film Journal 9
E. Hatch 1992 Discourse and Language Education. Cambridge University Press Cambridge
T. Hiebert 2012 In Praise of Nonsense: Aesthetics, Uncertainty, and Postmodern Identity McGill-Queen’s University Press (MQUP) Montreal, Canada
N. Kneale 1972 The Stone Tape. Producer: I. Lloyd Director: P. Sasdy Produced on BBC Television 25 December
S. Kracauer 2006 Theory of Film: The Redemption of Physical Reality. Oxford University Press Oxford
A. Masschelein 2003 A Homeless Concept. Shapes of the Uncanny in Twentieth-Century Theory and Culture, Image and Narrative. http://www.imageandnarrative.be/inarchive/uncanny/anneleenmasschelein.htm December 2016
G. Wolford et al 2000 The Left Hemisphere’s Role in Hypothesis Formation Journal of Neuroscience 20 RC64 1 4 Washington

Comments

Comment on this article

[1] M. Antonioni 1966 Blow-Up Chapel Films London

[2] A. Damasio 1994 Descartes Error. Avon Books New York

[3] J. Dawson 2005 Blowup Senses of Cinema January Cinémathèque Annotations on Film, # 34 http://sensesofcinema.com/contents/cteq/05/34/blowup.html 1 May 2017

[4] M. Gazzaniga 2009 The Split Brain Revisited Scientific American July 29

[5] A. Grønstad 2004 Anatomy of a Murder: Bazin, Barthes, Blow-Up Film Journal 9

[6] E. Hatch 1992 Discourse and Language Education. Cambridge University Press Cambridge

[7] T. Hiebert 2012 In Praise of Nonsense: Aesthetics, Uncertainty, and Postmodern Identity McGill-Queen’s University Press (MQUP) Montreal, Canada

[8] N. Kneale 1972 The Stone Tape. Producer: I. Lloyd Director: P. Sasdy Produced on BBC Television 25 December

[9] S. Kracauer 2006 Theory of Film: The Redemption of Physical Reality. Oxford University Press Oxford

[10] A. Masschelein 2003 A Homeless Concept. Shapes of the Uncanny in Twentieth-Century Theory and Culture, Image and Narrative. http://www.imageandnarrative.be/inarchive/uncanny/anneleenmasschelein.htm December 2016

[11] G. Wolford et al 2000 The Left Hemisphere’s Role in Hypothesis Formation Journal of Neuroscience 20 RC64 1 4 Washington

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