Data Body Trader: Identity Augmentation and Post-Biological Organ Trade

This paper explores the topics of post-biological identity, data bodies and augmentation, particularly through the Data Body Trader project. This research aims to present a speculative, practice based method for understanding post-biological identity, through the establishment of artworks and arts based research endeavours that focus on the relationship between bodies of matter, data bodies and their augmentation in embodied, interactive network scenarios. This paper argues that by having bodies that are both material and virtual, humans are post-biological. This research contributes a framework for understanding post-biological identity that focuses on the mixed reality nature of these ubiquitous, multi-faceted networks of self, through the establishment of the data body as an area of discourse.

Content

Author and article information

Contributors

Julian Stadon

Conference

Publication date: July 2017

Publication date (Print): July 2017

Pages: 202-207

Affiliations

[0001]University of the Arts London

Salzburg University of Applied Sciences

11D Lewes Crescent, Brighton, UK

Article

DOI: 10.14236/ewic/EVA2017.45

SO-VID: d9d2e383-364c-43df-9087-ccc932fa6afc

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2017)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 11 – 13 July 2017

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.45

Self URI (journal page): https://ewic.bcs.org/

5. REFERENCES

R. Ascott 2005 Syncretic Reality: Art, Process and Potentiality Drain 2.2, online
G. Deleuze 1992 Postscript on the Societies of Control October 59 3 7
G. DeleuzeF. A. Guattari 1980 Thousand Plateaus: Capitalism and Schizophrenia, Vol. 2 of Capitalism and Schizophrenia, 2 vols. 1972-1980. Les Editions de Minuit Paris, France
M. B. N. Hansen 2012 Body Schema as Potentiality M.B.N Hansen Bodies in Code: Interfaces with Digital Media. Routledge New York, US
B. Latour 2005 Reassembling the Social: An Introduction to Actor Network Theory. Oxford University Press Oxford, UK
P. MilgramH. TakemuraA. UtsumiF. Koshino 1995 Augmented Reality: A class of displays on the reality-virtuality continuum H. Das Proc. SPIE 2351, Telemanipulator and Telepresence Technologies 21 December DOI:10.1117/12.197321
J. Stadon 2015a Hybrid Ontologies: An Attempt to Define Networked Mixed Reality Art International Symposium of Electronic Art (ISEA) Vancouver, Canada
J. Stadon 2015b Data Body Banking: Understanding Post-Biological Identity Through Embodied Mixed Reality Art K. NgJ. P. BowenN. Lambert EVA London 2015: Electronic Visualisation and the Arts. Electronic Workshops in Computing, BCS. http://ewic.bcs.org/content/ConWebDoc/54906 4 May 2017

Comments

Comment on this article

[1] R. Ascott 2005 Syncretic Reality: Art, Process and Potentiality Drain 2.2, online

[2] G. Deleuze 1992 Postscript on the Societies of Control October 59 3 7

[3] G. DeleuzeF. A. Guattari 1980 Thousand Plateaus: Capitalism and Schizophrenia, Vol. 2 of Capitalism and Schizophrenia, 2 vols. 1972-1980. Les Editions de Minuit Paris, France

[4] M. B. N. Hansen 2012 Body Schema as Potentiality M.B.N Hansen Bodies in Code: Interfaces with Digital Media. Routledge New York, US

[5] B. Latour 2005 Reassembling the Social: An Introduction to Actor Network Theory. Oxford University Press Oxford, UK

[6] P. MilgramH. TakemuraA. UtsumiF. Koshino 1995 Augmented Reality: A class of displays on the reality-virtuality continuum H. Das Proc. SPIE 2351, Telemanipulator and Telepresence Technologies 21 December DOI:10.1117/12.197321

[7] J. Stadon 2015a Hybrid Ontologies: An Attempt to Define Networked Mixed Reality Art International Symposium of Electronic Art (ISEA) Vancouver, Canada

[8] J. Stadon 2015b Data Body Banking: Understanding Post-Biological Identity Through Embodied Mixed Reality Art K. NgJ. P. BowenN. Lambert EVA London 2015: Electronic Visualisation and the Arts. Electronic Workshops in Computing, BCS. http://ewic.bcs.org/content/ConWebDoc/54906 4 May 2017

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