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      Natural Media

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      Electronic Visualisation and the Arts (EVA 2017) (EVA)

      Electronic Visualisation and the Arts

      11 – 13 July 2017

      Perceptual technology, Redesigning media, New forms of experience, Wearable experience, Peripheral vision

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          Abstract

          Natural perception usually leads sensations to be able to be registered with awareness, but not necessarily be processed. This is typically a state developed with mindfulness practices. Unlike this natural registration-only perception, most current immersive technologies universally process information. Natural perception can stimulate subconscious registration without higher functioning processing. However, camera and other imaging-based technologies, especially digital devices, almost always initiate processing, reducing the possibility of subconscious registration typically engaged with during dreaming and other creative states of mind. Forms of media that adopt natural perception properties and behaviours can be considered to be natural media.

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          Most cited references 15

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          Compression of visual space in natural scenes and in their photographic counterparts.

          Classical theories of space perception posit continuous distortions of subjective space. These stand in contrast to the quantitatively and qualitatively different distortions experienced in space that is represented pictorially. We challenge several aspects of these theories. Comparing real-world objects with depictions of the same objects, we investigated to what extent distortions are introduced by the photographic medium. Corners of irregularly shaped buildings had to be judged in terms of the vertical dihedral angles subtended by two adjacent walls. Across all conditions, a robust effect of viewing distance was found: Building corners appear to flatten out with distance. Moreover, depictions of corners produce remarkably similar results and should not receive a different theoretical treatment than do real-world scenes. The flattening of vertical angles cannot be explained by a linear distortion of the entire visual space. We suggest that, for natural scenes, compression of space is local and dependent on contextual information.
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            Peripheral vision and pattern recognition: a review

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              The perception of art and the science of perception

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                Author and article information

                Contributors
                Conference
                July 2017
                July 2017
                : 258-263
                Affiliations
                LTRC, Ravensbourne

                London, UK
                Ravensbourne

                London, UK
                FOVOLAB

                Cardiff Metropolitan University

                Cardiff, Wales, UK
                Article
                10.14236/ewic/EVA2017.54
                © Smith et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2017, UK

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                Electronic Visualisation and the Arts (EVA 2017)
                EVA
                London, UK
                11 – 13 July 2017
                Electronic Workshops in Computing (eWiC)
                Electronic Visualisation and the Arts
                Product
                Product Information: 1477-9358BCS Learning & Development
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

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