Natural Media

Natural perception usually leads sensations to be able to be registered with awareness, but not necessarily be processed. This is typically a state developed with mindfulness practices. Unlike this natural registration-only perception, most current immersive technologies universally process information. Natural perception can stimulate subconscious registration without higher functioning processing. However, camera and other imaging-based technologies, especially digital devices, almost always initiate processing, reducing the possibility of subconscious registration typically engaged with during dreaming and other creative states of mind. Forms of media that adopt natural perception properties and behaviours can be considered to be natural media.

Content

Author and article information

Contributors

Carl H. Smith

Jazz Rasool

Lena Korkovelou

Nick Lambert

Robert Pepperell

Tony Langford

Alistair Burleigh

Conference

Publication date: July 2017

Publication date (Print): July 2017

Pages: 258-263

Affiliations

[0001]LTRC, Ravensbourne

London, UK

[0002]Ravensbourne

London, UK

[0003]FOVOLAB

Cardiff Metropolitan University

Cardiff, Wales, UK

Article

DOI: 10.14236/ewic/EVA2017.54

SO-VID: aa0f9494-7d49-412f-9d8a-ec8bfe654d6b

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Electronic Visualisation and the Arts (EVA 2017)

Conference acronym: EVA

Conference number:

Conference location: London, UK

Conference date: 11 – 13 July 2017

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.54

Self URI (journal page): https://ewic.bcs.org/

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Comments

Comment on this article

[1] J. BaldwinA. BurleighR. PepperellN. Ruta 2016 The Perceived Size and Shape of Objects in Peripheral Vision, ¡-Perception July-August

[2] J. Baldwin 2016 Can artistic methods be used to improve the perception of depth in pictures? PhD Thesis, Cardiff Metropolitan University UK

[3] A. BurleighR. Pepperell 2014 Improvements in and relating to image making. International Patent Treaty Cooperation WO2014122477A1

[4] H. Damisch 1994 The Origin of Perspective. MIT Press

[5] H. HechtA. DoomJ. J. Koenderink 1999 Compression of visual space in natural scenes and in their photographic counterparts Perception & Psychophysics 61 7 1269 1286 DOI:10.3758/BF03206179

[6] I. P. HowardB. J. Rogers 1995 Binocular Vi- sion and Stereopsis. Oxford University Press

[7] H. A. Innis 1950 Empire and Communications. A Project Gutenberg Canada Ebook. Clarendon Press Oxford 7 http://www.qutenberq.ca/ebooks/innis-empire/innis-empire-00-h.html 1 June 2017

[8] M. Kemp 1990 The Science of Art. London Yale University Press

[9] R. Kingslake 1992 Optics in Photography. Bellingham SPIE Press

[10] M. McLuhanQ. Fiore 1967 The Medium Is the Massage: An Inventory of Effects. New York Random House 48

[11] A. Miroshnichenko 2016 Extrapolating on McLuhan: How Media Environments of the Given, the Represented, and the Induced Shape and Reshape our Sensorium Philosophies 1 3 170 189

[12] S. Palmer 1999 Vision Science. Cambridge, Mass. Bradford

[13] R. Pepperell 2012 The Perception of Art and the Science of Perception. In Human Vision and Electronic Imaging XVII B. E. RogowitzT. N. PappasH. de Ridder Proc. of SPIE-IS&T, Elec. Im. 8291 829113

[14] R. PepperellL. Hughes 2015 As Seen: Modern British Painting and Visual Experience. Tate Papers Spring

[15] N. RutaA. BurleighR. VigarsE. BarrattR. Pepperell 2016 Evaluating an artistic method for depicting human visual space. Applied Vision Association meeting London 19 December

[16] C. Shirky 2010 Cognitive Surplus: Creativity and Generosity in a Connected Age. New York The Penguin Press 54

[17] H. StrasburgerI. RentschlerM. Jüttner 2011 Peripheral Vision and Pattern Recognition: A review Journal of Vision 11 5 1 82

[18] B. Winston 1987 A Mirror for Brunelleschi Daedalus 116 3 187 201 Futures, Summer

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