In 1901 L. Frank Baum, the author of The Wonderful Wizard of Oz, imagined a kind of augmented reality (AR), viewed through spectacles, that could indicate specific characteristics about a person invisible to the naked eye. Today, AR allows artists to place virtual elements: videos, 3D graphics and audio, into the physical world, providing “mixed reality“ experiences that can offer new perspectives on identity and subjecthood in the twenty-first century. This paper will highlight how I have implemented selfie vernacular and augmented reality technologies as storytelling devices in identity construction. The drawings and expanded AR narratives in The Selfie Drawings, a mixed reality artist’s book, are an inventory of how a self, both the physical and virtual body, can be perceived in the Digital Age. Using 2D and 3D elements in my work, fragmenting the body, attaching it to, or intertwining it with digital augmentation devices, I am pondering the state of existing simultaneously IRL and URL in symbiotic relationships with technology and mediated culture.