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      The Augmented Selfie

      proceedings-article

      Electronic Visualisation and the Arts (EVA 2017) (EVA)

      Electronic Visualisation and the Arts

      11 – 13 July 2017

      Digital storytelling, Augmented reality, Mixed reality, Selfies, Augmented selfies, Artist’s books

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            Abstract

            In 1901 L. Frank Baum, the author of The Wonderful Wizard of Oz , imagined a kind of augmented reality (AR), viewed through spectacles, that could indicate specific characteristics about a person invisible to the naked eye. Today, AR allows artists to place virtual elements: videos, 3D graphics and audio, into the physical world, providing “mixed reality“ experiences that can offer new perspectives on identity and subjecthood in the twenty-first century. This paper will highlight how I have implemented selfie vernacular and augmented reality technologies as storytelling devices in identity construction. The drawings and expanded AR narratives in The Selfie Drawings , a mixed reality artist’s book, are an inventory of how a self, both the physical and virtual body, can be perceived in the Digital Age. Using 2D and 3D elements in my work, fragmenting the body, attaching it to, or intertwining it with digital augmentation devices, I am pondering the state of existing simultaneously IRL and URL in symbiotic relationships with technology and mediated culture.

            Content

            Author and article information

            Contributors
            Conference
            July 2017
            July 2017
            : 319-326
            Affiliations
            [0001]Pratt Institute

            Department of Digital Arts

            Brooklyn, NY, USA
            Article
            10.14236/ewic/EVA2017.66
            343a44c5-a0ef-4df8-b9bc-fb00b5028ca0
            © Gannis. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2017, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2017)
            EVA
            London, UK
            11 – 13 July 2017
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            5. REFERENCES

            1. 2016 “Flown” Sculptural Light Installation. CHI’2016 San Jose, CA, USA 7-12 May Extended Abstracts, ACM

            2. 2016 Connected Digital Artworks EVA London 2016: Electronic Visualisation and the Arts London, UK 12-14 July 287 288 BCS, Electronic Workshops in Computing. DOI:10.14236/ewic/HCI2016.57

            3. 2016 A Cybernetic Ecology: An Exhibition of Interactive Artworks by Sean Clark. http://interactdigitalarts.uk/cybernetic 1 April 2017

            4. 2013 ColourNet: A System of Interactive and Interacting Artworks CHI’2013 Paris, France 27 April 2 May Extended Abstracts, ACM

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