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      The Engagement of Digital Art with Contemporary Art

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      proceedings-article
      Electronic Visualisation and the Arts (EVA 2017) (EVA)
      Electronic Visualisation and the Arts
      11 – 13 July 2017
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            Abstract

            Digital art is increasingly becoming engaged with contemporary art. Artists began using programming and technology to create art in the 1950s and 1960s and the revolutionary advances in digital technology have spawned new approaches to making art. Originally viewed as outsider art, digital art gained international recognition in the late 1960s and again at the turn of the century. Traditional art institutions were not as quick to embrace this creative use of technology as artists did. In the 1970s, several international organizations were created to support this art form and remain active today. Exhibitions during this period were both juried and curated. During the 1970s and 1980s, there were very few digital art curators. The change occurred during the late 1990s when museums began to take notice of and exhibit digital art. The Internet has enabled artist, scholar and art institutional websites and the establishment of extensive archives of this art form. This online presence is contributing to the integration of digital art with contemporary art. Publishers have also followed suit and there is now a good selection of books on the theory, history and practice of digital art, led by the MIT Press, Thames & Hudson, and others. As digital art continues to merge with contemporary art, the division between the two will continue to lessen. However, what is important is to rectify the art historical record to give digital art the rightful place it has earned in the contemporary art landscape.

            Content

            Author and article information

            Contributors
            Conference
            July 2017
            July 2017
            : 340-344
            Affiliations
            [0001]Chair Emeritus

            MFA Computer Art

            School of Visual Arts

            209 E. 23 St., New York

            NY 10010, USA

            www.brucewands.com
            Article
            10.14236/ewic/EVA2017.69
            bf0e5de7-391b-48e9-ab91-813485834180
            © Wands. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2017, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2017)
            EVA
            London, UK
            11 – 13 July 2017
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2017.69
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

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