529
views
0
recommends
+1 Recommend
1 collections
    8
    shares
       
      • Record: found
      • Abstract: found
      • Conference Proceedings: found
      Is Open Access

      The Time Machine: A Multiscreen Generative Video Artwork

      proceedings-article

      Electronic Visualisation and the Arts (EVA 2017) (EVA)

      Electronic Visualisation and the Arts

      11 – 13 July 2017

      Time, Temporality, Media art, Generative video, Time lapse, Installation, Phenomenology

      Bookmark

            Abstract

            ‘The Time Machine’ is a multi-screen, high-performance, generative video art installation based around multiple low cost computer platforms. Using algorithmic selection of palindromic loops of time-lapse video the work contrasts the external, machine perception of time with our internal, phenomenological experience of it. The video feeds, recorded from around the world, tick and tock backward and forward creating a polyrhythmic, 12 screen time-piece. The images loop back and forth on each screen of the installation, creating a large polyrhythmic clock of high definition, full colour motion. Each screen detailing a passage of time from around the world, captured, frozen, forward and reverse. The time-lapse loops slowly switch, selected from over a thousand separate pieces by generative algorithms on each host computer. Creating a Time Machine reflecting the world, gently rocking back and forth with a myriad of sub-cadences, confronting the viewer with the unanswerable challenge of comprehending time.

            Content

            Author and article information

            Contributors
            Conference
            July 2017
            July 2017
            : 441-443
            Affiliations
            [0001]University of the West of England

            Bristol, UK
            Article
            10.14236/ewic/EVA2017.87
            94f34291-5671-4a81-9637-bee38b4c9176
            © Buzzo. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2017, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts (EVA 2017)
            EVA
            London, UK
            11 – 13 July 2017
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            3. REFERENCES

            1. 2012 Objects of time: How things shape temporality. Culture, mind, and society. Palgrave Macmillan

            2. 2016 What do we Know of Time when all we can Know for Real is Now Proceedings of the 5th Computer Art Congress Paris, France Europia Press http://buzzo.com/what-do-we-know-of-time-when-all-we-can-know-for-real-is-now/ 24 May 2017

            3. 2015 Designing for the Impossible: Creating a Mobile Application for Time Dilation Electronic Visualisation and the Arts (EVA London 2015) 178 185 London BCS, Electronic Workshops in Computing DOI:10.14236/ewic/EVA201635

            4. 2014 Another Order Of Time: Towards a Variable Intensity of the Now Parrhesia: A Journal of Critical Philosophy 19 1 13

            5. 1991 On the Phenomenology of the Consciousness of Internal Time (1893-1917). Edmund Husserl Collected Works

            6. 2015 Time, Capitalism and Alienation Brill

            7. 1908 The Unreality of Time Mind: A Quarterly Review of Psychology and Philosophy 17 456 473

            8. 1992 The Cultural Anthropology of Time: A Critical Essay Annual Review of Anthropology 21 1 93 123

            Comments

            Comment on this article