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      The Invisible Arp

      proceedings-article
      Electronic Visualisation and the Arts (EVA)
      Electronic Visualisation and the Arts
      9 - 13 July 2018
      Generative art, Cloud, Immortality, Patterns, Isomorphism, Dada, Poetry, Visual art, Python
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            Abstract

            This paper describes a conceptual generative art system built in the Cloud, which exercises a degree of autonomy in deciding when and for whom to generate art works, but bases its processes on the ideas of a dead artist. The philosopher Douglas Hofstadter claims that humans are basically just a set of patterns, instantiated in mortal cells, but capable of surviving after death. After a study of the works and writings of poet and artist Hans Arp, I have tried to identify some of the ‘patterns’ or rules that guided Arp’s artistic practice. These have been converted into computer code, and guide the generative system, in the hope that it can produce art works as Arp might do if he was alive today (not crude copies of his one hundred year old works). Participants at EVA 2018 are invited to judge how successful this has been. To emphasise the intangibility of the patterns, the system is hosted in the Cloud, making it as near as possible non-existent, in any physical or virtual sense. What are the implications if such patterns really can persist after death?

            Content

            Author and article information

            Contributors
            Conference
            July 2018
            July 2018
            : 354-360
            Affiliations
            [0001]King’s College, The Strand, London WC2R 2LS, UK
            Article
            10.14236/ewic/EVA2018.67
            12479095-27ea-4123-b830-388704550f58
            © Upton. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2018, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Electronic Visualisation and the Arts
            EVA
            London, UK
            9 - 13 July 2018
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2018.67
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Python,Poetry,Generative art,Dada,Immortality,Visual art,Patterns,Isomorphism,Cloud

            REFERENCES

            1. 1948 On My Way. Trans. Wittenborn, Schulz New York

            2. (n.d.) Dadaland In: Documents Dada 2010 http://dadasurr.blogspot.com/2010/01/hans-arp.html (retrieved 26 March 2018)

            3. 1996 Flight Out of Time. Translated by institutionUniversity of California Press, Berkeley

            4. 1977 Image-Music-Text Hill and Wang New York. pp. 142 148 http://neamathisi.com/literacies/chapter-7-literacies-as-multimodal-designs-for-meaning/roland-barthes-on-the-death-of-the-author (retrieved 26 March 2018)

            5. (n.d.) Hans Arp and Zurich Dada http://reinhard-doehl.de/arp_zurichdada.htm (retrieved 26 March 2018)

            6. 1948 Arp essay In: On My Way Wittenborn, Schulz New York 119 124

            7. Google Creative Lab 2018 Make Your Own Mondrian http://googlecreativelab.github.io/coder-projects/projects/mondrian/ (retrieved 26 February 2018)

            8. 2007 I am a Strange Loop Basic Books New York

            9. 2017 Working with Generative systems EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing 213 218

            10. 1963 Sense and Nonsense in the Poetry of Hans Arp The German Quarterly 36 2 152 163 March

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