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      Art and Activism at Museums in a Post-digital World

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      Proceedings of EVA London 2019 (EVA 2019)

      Electronic Visualisation and the Arts

      8 - 11 July 2019

      Digital activism, Digital art, Digital culture, Digital heritage, Exhibitions, Museums, Post-digital world, Protest

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            Content

            Author and article information

            Contributors
            Role: Professor https://sites.google.com/view/tgiannini/
            Role: Emeritus Professor http://www.jpbowen.com
            Conference
            July 2019
            July 2019
            : 27-35
            Affiliations
            [0001]Information

            School of Information

            Pratt Institute

            New York, USA
            [0002]Computing

            School of Engineering

            London South Bank University

            London, UK
            Article
            10.14236/ewic/EVA2019.4
            7abd9f58-c182-4c14-91e0-d0425f990fcc
            © Giannini et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2019, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2019
            EVA 2019
            London, UK
            8 - 11 July 2019
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            REFERENCES

            1. 2019 PhD in Practice. Academy of Fine Arts Vienna Austria https://www.akbild.ac.at/Portal/studium/studienrichtungen/phd-in-practice

            2. ArtForum 2019 Hundreds Protest BP Sponsorship of British Museum ArtForum News February 18 2019 https://www.artforum.com/news/hundreds-protest-bp-sponsorship-of-british-museum-78655

            3. 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing (eWiC) http://www.bcs.org/ewic/eva2017

            4. 2014 Digitalism: The new realism? In EVA London 2014: Electronic Visualisation and the Arts BCS, eWiC 324 331 DOI: 10.14236/ewic/eva2014.38

            5. 2017 Coded Communication: Digital senses and aesthetics, merging art and life et al 2017 1 8 DOI: 10.14236/ewic/EVA2017.1

            6. 2018 States of Begin: Art and identity in digital space and time et al 2018 1 7 DOI: 10.14236/ewic/EVA2018.1

            7. 2018 EVA London 2018: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing (eWiC) http://www.bcs.org/ewic/eva2018

            8. 2018 British Museum shines light on Assyrian ‘king of the world’ The Guardian, UK June 19 2018 https://www.theguardian.com/culture/2018/jun/19/british-museum-shines-light-on-assyrian-king-of-the-world-ashurbanipal

            9. 2019 British Museum chief: Taking the Parthenon marbles was ‘creative’ The Guardian, UK January 28 2019 https://www.theguardian.com/artanddesign/2019/jan/28/british-museum-chief-taking-the-parthenon-marbles-was-creative

            10. 2019 ‘Audacity Is the Only Ticket’: How Winston Churchill, an Amateur Artist, Treated Painting as a Battlefield Artnet News February 18 2019 https://news.artnet.com/art-world/how-amateur-artist-winston-churchill-amateur-saw-painting-1456174

            11. 2018 MIT Researchers Are Using Artificial Intelligence to Make Some of the Most Convincing Reproductions of Art Ever Artnet News December 5 2018 https://news.artnet.com/art-world/artificial-intelligence-is-reproducing-art-masterpieces-1405558

            12. 2018 People spend most of their waking hours staring at screens MarketWatch August 4 2018 https://www.marketwatch.com/story/people-are-spending-most-of-their-waking-hours-staring-at-screens-2018-08-01

            13. 1923 Stopping by Woods on a Snowy Evening https://en.wikipedia.org/wiki/Stopping_by_Woods_on_a_Snowy_Evening

            14. 2016 Curating Digital Life and Culture: Art and information EVA London 2016: Electronic Visualisation and the Arts BCS, eWiC 237 244 DOI: 10.14236/ewic/EVA2016.46

            15. 2017 Life in Code and Digits: When Shannon met Turing et al 2017 51 58 DOI: 10.14236/ewic/EVA2017.9

            16. 2018 Of Museums and Digital Culture: A landscape view et al 2018 172 179 DOI: 10.14236/ewic/EVA2018.34

            17. 2019 Museums and Digital Culture: New perspectives and research Series on Cultural Computing Springer

            18. 2019 ‘It’s Time, Guggenheim’: Nan Goldin Launches a Surprise Demonstration at the Guggenheim Museum to Protest Its Sackler Funding Artnet News February 9 2019 https://news.artnet.com/opinion/metropolitan-museum-artificial-intelligence-1461730

            19. 2019 Exploitation and injustice’: London gallery show protests BP sponsorship at British Museum The Art Newspaper February 1 2019 https://www.theartnewspaper.com/news/bp-p21

            20. 2018 Downtown Legend Richard Hell Interviews Nan Goldin About Art, Opioids, and the Sadness of Life on the Fringes Artnet News November 8 2018 https://news.artnet.com/art-world/nan-goldin-richard-hell-interview-1387933

            21. 2017 Digital activism: After the hype. New Media & Society September 19 2017 DOI: 10.1177/1461444817731924

            22. 2018 Labour leader Jeremy Corbyn would return the Elgin Marbles to Greece if elected Prime Minister Artsy June 4 2018 https://www.artsy.net/news/artsy-editorial-labour-leader-jeremy-corbyn-return-elgin-marbles-greece-elected-prime-minister

            23. 2019 Met unveils its AI experiment with Microsoft and MIT – Teams produce five digital prototypes for acquainting people with images of museum objects online The Art Newspaper February 5 2019 https://www.theartnewspaper.com/news/met-unveils-its-ai-experiment-with-microsoft-and-mit

            24. 2018 London’s National Gallery (Finally) Buys a Painting by Artemisia Gentileschi, Pioneering Female Artist of the Italian Renaissance Artnet July 6 2018 https://news.artnet.com/market/national-portrait-gallery-shells-record-4-million-artemesia-gentileschi-self-portrait-1314446

            25. 2018 The National Gallery’s New Artemisia Gentileschi Should Be a Triumph—But Clouds Are Forming Over Its Ownership During WWII Artnet News December 12 2018 https://news.artnet.com/exhibitions/national-gallery-artemisia-gentileschi-provenance-1417675

            26. 2018 Has Artificial Intelligence Brought Us the Next Great Art Movement? Here Are 9 Pioneering Artists Who Are Exploring AI’s Creative Potential Artnet News November 6 2018 https://news.artnet.com/market/9-artists-artificial-intelligence-1384207

            27. 2019 The British Museum Says It Will Never Return the Elgin Marbles, Defending Their Removal as a ‘Creative Act’ Artnet News January 28 2019 https://news.artnet.com/art-world/british-museum-wont-return-elgin-marbles-1449919

            28. 2019 The Gray Market: How the Met’s Artificial Intelligence Initiative Masks the Technology’s Larger Threats (and Other Insights) Artnet News February 11 2019 https://news.artnet.com/opinion/metropolitan-museum-artificial-intelligence-1461730

            29. 2017 An Incomplete History of Protest: Selections from the Whitney’s collection, 1940-2017 Whitney Museum USA August 18-27 2017 https://whitney.org/Exhibitions/AnIncompleteHistoryOfProtest?section=4#exhibition-artworks

            30. 2019 The Avant-Garde Art That Was Made for TV Artsy January 23 2019 https://www.artsy.net/article/artsy-editorial-avant-gardaert-made-tv

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