3,107
views
0
recommends
+1 Recommend
1 collections
    8
    shares

      Celebrating 65 years of The Computer Journal - free-to-read perspectives - bcs.org/tcj65

      scite_
       
      • Record: found
      • Abstract: found
      • Conference Proceedings: found
      Is Open Access

      Art and Activism at Museums in a Post-digital World

      proceedings-article
      ,
      Proceedings of EVA London 2019 (EVA 2019)
      Electronic Visualisation and the Arts
      8 - 11 July 2019
      Digital activism, Digital art, Digital culture, Digital heritage, Exhibitions, Museums, Post-digital world, Protest
      Bookmark

            Abstract

            Once quiet places protected by walls, museums are increasingly besieged by activist groups. Spurred by social and political causes, they storm the gates bypassing the gatekeepers, to deliver their message and insist that museums become relevant, participatory and interactive, and give voice to their communities and audience. With no place to hide in a sea of digital connections, museums are challenged to find new directions and strategies for the post-digital world. This paper traces these trends, illustrating them using recent examples of art and activism at museums in New York and London, and explores strategies for museums to collaborate with their community and find common ground.

            Content

            Author and article information

            Contributors
            Role: Professor https://sites.google.com/view/tgiannini/
            Role: Emeritus Professor http://www.jpbowen.com
            Conference
            July 2019
            July 2019
            : 27-35
            Affiliations
            [0001]Information

            School of Information

            Pratt Institute

            New York, USA
            [0002]Computing

            School of Engineering

            London South Bank University

            London, UK
            Article
            10.14236/ewic/EVA2019.4
            7abd9f58-c182-4c14-91e0-d0425f990fcc
            © Giannini et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2019, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2019
            EVA 2019
            London, UK
            8 - 11 July 2019
            Electronic Workshops in Computing (eWiC)
            Electronic Visualisation and the Arts
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.4
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Digital activism,Post-digital world,Protest,Digital art,Digital culture,Digital heritage,Exhibitions,Museums

            REFERENCES

            1. 2019 PhD in Practice. Academy of Fine Arts Vienna Austria https://www.akbild.ac.at/Portal/studium/studienrichtungen/phd-in-practice

            2. ArtForum 2019 Hundreds Protest BP Sponsorship of British Museum ArtForum News February 18 2019 https://www.artforum.com/news/hundreds-protest-bp-sponsorship-of-british-museum-78655

            3. 2017 EVA London 2017: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing (eWiC) http://www.bcs.org/ewic/eva2017

            4. 2014 Digitalism: The new realism? In EVA London 2014: Electronic Visualisation and the Arts BCS, eWiC 324 331 DOI: 10.14236/ewic/eva2014.38

            5. 2017 Coded Communication: Digital senses and aesthetics, merging art and life et al 2017 1 8 DOI: 10.14236/ewic/EVA2017.1

            6. 2018 States of Begin: Art and identity in digital space and time et al 2018 1 7 DOI: 10.14236/ewic/EVA2018.1

            7. 2018 EVA London 2018: Electronic Visualisation and the Arts BCS, Electronic Workshops in Computing (eWiC) http://www.bcs.org/ewic/eva2018

            8. 2018 British Museum shines light on Assyrian ‘king of the world’ The Guardian, UK June 19 2018 https://www.theguardian.com/culture/2018/jun/19/british-museum-shines-light-on-assyrian-king-of-the-world-ashurbanipal

            9. 2019 British Museum chief: Taking the Parthenon marbles was ‘creative’ The Guardian, UK January 28 2019 https://www.theguardian.com/artanddesign/2019/jan/28/british-museum-chief-taking-the-parthenon-marbles-was-creative

            10. 2019 ‘Audacity Is the Only Ticket’: How Winston Churchill, an Amateur Artist, Treated Painting as a Battlefield Artnet News February 18 2019 https://news.artnet.com/art-world/how-amateur-artist-winston-churchill-amateur-saw-painting-1456174

            11. 2018 MIT Researchers Are Using Artificial Intelligence to Make Some of the Most Convincing Reproductions of Art Ever Artnet News December 5 2018 https://news.artnet.com/art-world/artificial-intelligence-is-reproducing-art-masterpieces-1405558

            12. 2018 People spend most of their waking hours staring at screens MarketWatch August 4 2018 https://www.marketwatch.com/story/people-are-spending-most-of-their-waking-hours-staring-at-screens-2018-08-01

            13. 1923 Stopping by Woods on a Snowy Evening https://en.wikipedia.org/wiki/Stopping_by_Woods_on_a_Snowy_Evening

            14. 2016 Curating Digital Life and Culture: Art and information EVA London 2016: Electronic Visualisation and the Arts BCS, eWiC 237 244 DOI: 10.14236/ewic/EVA2016.46

            15. 2017 Life in Code and Digits: When Shannon met Turing et al 2017 51 58 DOI: 10.14236/ewic/EVA2017.9

            16. 2018 Of Museums and Digital Culture: A landscape view et al 2018 172 179 DOI: 10.14236/ewic/EVA2018.34

            17. 2019 Museums and Digital Culture: New perspectives and research Series on Cultural Computing Springer

            18. 2019 ‘It’s Time, Guggenheim’: Nan Goldin Launches a Surprise Demonstration at the Guggenheim Museum to Protest Its Sackler Funding Artnet News February 9 2019 https://news.artnet.com/opinion/metropolitan-museum-artificial-intelligence-1461730

            19. 2019 Exploitation and injustice’: London gallery show protests BP sponsorship at British Museum The Art Newspaper February 1 2019 https://www.theartnewspaper.com/news/bp-p21

            20. 2018 Downtown Legend Richard Hell Interviews Nan Goldin About Art, Opioids, and the Sadness of Life on the Fringes Artnet News November 8 2018 https://news.artnet.com/art-world/nan-goldin-richard-hell-interview-1387933

            21. 2017 Digital activism: After the hype. New Media & Society September 19 2017 DOI: 10.1177/1461444817731924

            22. 2018 Labour leader Jeremy Corbyn would return the Elgin Marbles to Greece if elected Prime Minister Artsy June 4 2018 https://www.artsy.net/news/artsy-editorial-labour-leader-jeremy-corbyn-return-elgin-marbles-greece-elected-prime-minister

            23. 2019 Met unveils its AI experiment with Microsoft and MIT – Teams produce five digital prototypes for acquainting people with images of museum objects online The Art Newspaper February 5 2019 https://www.theartnewspaper.com/news/met-unveils-its-ai-experiment-with-microsoft-and-mit

            24. 2018 London’s National Gallery (Finally) Buys a Painting by Artemisia Gentileschi, Pioneering Female Artist of the Italian Renaissance Artnet July 6 2018 https://news.artnet.com/market/national-portrait-gallery-shells-record-4-million-artemesia-gentileschi-self-portrait-1314446

            25. 2018 The National Gallery’s New Artemisia Gentileschi Should Be a Triumph—But Clouds Are Forming Over Its Ownership During WWII Artnet News December 12 2018 https://news.artnet.com/exhibitions/national-gallery-artemisia-gentileschi-provenance-1417675

            26. 2018 Has Artificial Intelligence Brought Us the Next Great Art Movement? Here Are 9 Pioneering Artists Who Are Exploring AI’s Creative Potential Artnet News November 6 2018 https://news.artnet.com/market/9-artists-artificial-intelligence-1384207

            27. 2019 The British Museum Says It Will Never Return the Elgin Marbles, Defending Their Removal as a ‘Creative Act’ Artnet News January 28 2019 https://news.artnet.com/art-world/british-museum-wont-return-elgin-marbles-1449919

            28. 2019 The Gray Market: How the Met’s Artificial Intelligence Initiative Masks the Technology’s Larger Threats (and Other Insights) Artnet News February 11 2019 https://news.artnet.com/opinion/metropolitan-museum-artificial-intelligence-1461730

            29. 2017 An Incomplete History of Protest: Selections from the Whitney’s collection, 1940-2017 Whitney Museum USA August 18-27 2017 https://whitney.org/Exhibitions/AnIncompleteHistoryOfProtest?section=4#exhibition-artworks

            30. 2019 The Avant-Garde Art That Was Made for TV Artsy January 23 2019 https://www.artsy.net/article/artsy-editorial-avant-gardaert-made-tv

            Comments

            Comment on this article