A Interactive Display Form for Chinese Ink and Wash Painting Using Optical Laser Technique

Chinese ink and wash painting (CIWP), taking ink as the carrier and based on the variation of the colour of black and white, contains a command of Chinese Humanistic Spirit. However, the reform of new media brings about the innovation of communication mode, cognition and creation. Contemporary CIWP began to change the creative ideas and ways, seeking innovation and change. Especially in the late 20th century, it ushered in a rich cultural breakthrough, which achieved the reform of a series of cultural elements, the renewal of artistic concepts, the transformation of cultural media and the integration of artistic behaviour. The exploration of these aspects has ushered in the unprecedented cross-border study of ink painting art. This paper first analyses the development dilemma of CIWP under the traditional media, and then discusses the innovation brought by the new media to CIWP. Finally, it introduces a reference for the new forms of Contemporary CIWP.

Content

Author and article information

Contributors

Yisi Xue

Yarong Deng

Junming Liang

Conference

Publication date: July 2019

Publication date (Print): July 2019

Pages: 264-269

Affiliations

[0001]Institute of Design and Arts

GDUT, Guangzhou, China

Article

DOI: 10.14236/ewic/EVA2019.50

SO-VID: 52c8d5e4-390a-49a3-99a9-1ca89b611cf0

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2019

Conference acronym: EVA 2019

Conference number:

Conference location: London, UK

Conference date: 8 - 11 July 2019

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.50

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

J. LiangL. Kuan-chinC. Hsinag-chinehW. Wen-june 2018 IEEE ACCESS 6 13033 13040
J. Ma 2018 The Change and Unchanging of Contemporary Chinese Painting Innovation under the Evolution of New Media Context News lovers 5 57 60
InkFall 2019 http://news.ifeng.com/a/20171202/53781370_0.shtml retrieved 2 February 2019 )
M. Kexuan 2018) “Feelings of Mountains and Waters” http://v.pptv.com/show/QXTZVr4klNI1sz8.html?rcc_id=web_2055 retrieved 2 December 2018 )
W. Welsch 2006 Refactoring Aesthetics Shanghai Translation Publishing House Shanghai
X. Xiang 2010 Alienated "Decentralization": Examining Electronic Utopia Nanjing Social Sciences 10 120 126
L. Xiaochun 2008 Research on Contemporary Ink Painting Shanghai Painting and Calligraphy Publishing House Shanghai
J. ZhangA. SabouneEl Saddik 2014 ‘ransforming a regular screen into a touch screen using a single webcam J. Display Technol 10 8 647 659
N. ZhangH. Zhen 2018 Ink art participated in the applied research of new media creation This Media 26 03 19 21

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Comment on this article

[1] J. LiangL. Kuan-chinC. Hsinag-chinehW. Wen-june 2018 IEEE ACCESS 6 13033 13040

[2] J. Ma 2018 The Change and Unchanging of Contemporary Chinese Painting Innovation under the Evolution of New Media Context News lovers 5 57 60

[3] InkFall 2019 http://news.ifeng.com/a/20171202/53781370_0.shtml retrieved 2 February 2019 )

[4] M. Kexuan 2018) “Feelings of Mountains and Waters” http://v.pptv.com/show/QXTZVr4klNI1sz8.html?rcc_id=web_2055 retrieved 2 December 2018 )

[5] W. Welsch 2006 Refactoring Aesthetics Shanghai Translation Publishing House Shanghai

[6] X. Xiang 2010 Alienated "Decentralization": Examining Electronic Utopia Nanjing Social Sciences 10 120 126

[7] L. Xiaochun 2008 Research on Contemporary Ink Painting Shanghai Painting and Calligraphy Publishing House Shanghai

[8] J. ZhangA. SabouneEl Saddik 2014 ‘ransforming a regular screen into a touch screen using a single webcam J. Display Technol 10 8 647 659

[9] N. ZhangH. Zhen 2018 Ink art participated in the applied research of new media creation This Media 26 03 19 21

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