The New “Theatricality” in Performance and Media Arts

The situation both of performance art and media art in mainland China has changed when compared to the 1990s. There has emerged, to some extent, an amalgamation of performance and media installation. Those go far towards the look of a theatre performance and dramatic representation in the new media installations but happened in the museum or outdoors public open space. This amalgamated union may point a new creative direction to express Chinese artists’ aesthetic thinking and feeling. So, the purpose of this article is to answer the question: What is the new “Theatricality”? A question of this kind has to be answered in three stages.

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Author and article information

Contributors

Huan Fan

Conference

Publication date: July 2019

Publication date (Print): July 2019

Pages: 274-275

Affiliations

[0001]Sichuan University

Chengdu, China

Article

DOI: 10.14236/ewic/EVA2019.52

SO-VID: 76475b99-194f-43d2-807d-160bb951a56a

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2019

Conference acronym: EVA 2019

Conference number:

Conference location: London, UK

Conference date: 8 - 11 July 2019

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: Electronic Visualisation and the Arts

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.52

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

M. Fried 1995 Minimal art: a critical anthology University of California Press Berkeley

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[1] M. Fried 1995 Minimal art: a critical anthology University of California Press Berkeley

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