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      Back to the Future and Forward to the Past: Zukunftsmusik and the aesthetics of immersive classical music experience

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      Proceedings of EVA London 2020 (EVA 2020)

      AI and the Arts: Artificial Imagination

      6th July – 9th July 2020

      Zukunftsmusik, Immersive experience, Agency, Virtual reality, 6DoF, Ambisonics, Opera, Concerto

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          Abstract

          We showcase relevant aesthetic considerations of an interaction design for immersive experience informed by Zukunftsmusik. The ‘Zukunftsmusiker’ movement emerged at the verge of the 20th century and intends to encompass a holistic experience incorporating the active participation of all senses with its corresponding action. Amongst other features, we highlight aspects related to diegesis, agency, and attention centring of the visual and auditory field by examining two renditions of The Ravens, a 3D 360-degrees guided experience as well as a 6-degrees-of-freedom multi-view experience of the eponymous piano composition by the first author. With their design rationale of participatory experience, these renditions aim to set off a renewed technological consideration of the Zukunftsmusik paradigm. Ultimately, this paradigm may reach out towards an audience demographic that was previously mostly unknown in contemporary music: The user.

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          Most cited references 10

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          On the perception of incongruity; a paradigm.

           L POSTMAN,  J Bruner (1949)
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            Beyond the Audience Seat: The Recording and Production of Immersive Opera and Interactive Concerto Programmes for VR Experiences

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              Guided 360 degrees version of “The Ravens”

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                Author and article information

                Contributors
                Conference
                July 2020
                July 2020
                : 112-119
                Affiliations
                Hong Kong Baptist University

                Department of Music

                Hong Kong
                Aalborg University

                Dept. of Communication & Psychology

                Aalborg, Denmark
                Article
                10.14236/ewic/EVA2020.20
                © Kallionpää et al. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2020

                This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

                Proceedings of EVA London 2020
                EVA 2020
                30
                London
                6th July – 9th July 2020
                Electronic Workshops in Computing (eWiC)
                AI and the Arts: Artificial Imagination
                Product
                Product Information: 1477-9358 BCS Learning and Development Ltd
                Self URI (journal page): https://ewic.bcs.org/
                Categories
                Electronic Workshops in Computing

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