Border-Crossing Female Artists Between Experimental and Popular Music From 1970 to the Present Day in Serbia and Bosnia & Herzegovina

Abstract

The goal of my paper for EVA London 2020 (Electronic Visualisation and the Arts) is to provide insights about female Serbians and Bosnia & Herzegovina artists who have crossed stylistic boundaries between popular, experimental and electronic music coming from different backgrounds. In this paper, focusing on several specific artists, I will analyse their significant contributions to different music genres and artistic developments throughout the decades. This paper aims to focus on collecting significant data about the diverse Serbian and Bosnia & Herzegovina artists who were both influenced by different genres, and also influenced others themselves.

Contributors

Marina Vesic-Eder

Conference

Publication date: July 2020

Publication date (Print): July 2020

Pages: 128-132

Affiliations

Composer-pianist, avant-garde artist

Vienna, Austria

Article

DOI: 10.14236/ewic/EVA2020.22

Copyright statement: © Vesic-Eder. Published by BCS Learning and Development Ltd. Proceedings of EVA London 2020

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2020

Conference acronym: EVA 2020

Conference number: 30

Conference location: London

Conference date: 6th July – 9th July 2020

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: AI and the Arts: Artificial Imagination

Product

Product Information: 1477-9358 BCS Learning and Development Ltd

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2020.22

Self URI (journal page): https://ewic.bcs.org/

Categories

Series title: Electronic Workshops in Computing