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      Oncheon: Learning to perform motion trails for virtual spaces

      proceedings-article
      , ,
      Proceedings of EVA London 2020 (EVA 2020)
      AI and the Arts: Artificial Imagination
      6th July – 9th July 2020
      Motion capture, Dance, Somatic movement, Virtual reality, Digital and virtual embodiment
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            Abstract

            This paper focuses on a set of motion capture processes that were choreographed and performed by Eugenia S. Kim under the direction of Kim Vincs. The overall process includes a brief overview of the Centre for Transformative Media Technology’s general approach to motion capture recording and a benchmark testing session run by John McCormick which served as a seed for the project. A major finding of the process was the importance of artistic and technical coaching for motion capture performers in helping to develop a personal movement style.

            Content

            Author and article information

            Contributors
            Conference
            July 2020
            July 2020
            : 283-289
            Affiliations
            [0001]Leonardo21

            Hong Kong, Hong Kong
            [0002]Swinburne University

            Melbourne, Australia
            Article
            10.14236/ewic/EVA2020.51
            f58113b8-52b1-44d1-9c10-50c8b586f7a0
            © Kim et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2020

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2020
            EVA 2020
            30
            London
            6th July – 9th July 2020
            Electronic Workshops in Computing (eWiC)
            AI and the Arts: Artificial Imagination
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2020.51
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Digital and virtual embodiment,Virtual reality,Motion capture,Dance,Somatic movement

            REFERENCES

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            2. 2015 Hovering on Screen: The WOW-Affect and Fan Communities Of Affective Spectatorship on So You Think You Can Dance. International Journal of Screendance, 5, https://screendancejournal.org/article/view/4423/3877#.XmsrMXJ5uUl 13 March 2020

            3. 2011 Towards a new vision of dance Animated 2011 Winter 25 27

            4. 2009 A Brief History Of Somatic Practices And Dance: Historical Development Of The Field Of Somatic Education And Its Relationship To Dance Journal of Dance and Somatic Practices 1 5 27

            5. 2013 Dancing in Suits: A Performer’s Perspective On The Collaborative Exchange Between Self, Body, Motion Capture, Animation And Audience 19th International Symposium of Electronic Art, ISEA2013 Sydney, Australia 7-16 June 2013 1-4 ISEA International, the Australian Network for Art & Technology and the University of Sydney Sydney

            6. 2007 Closer: Performance, Technologies, Phenomenology MIT Press Cambridge, MA

            7. 2018 The Weird Giggle: Attending To Affect In Virtual Reality Transformations 31 1 24

            8. 2009 Relationscapes: Movement, Art, Philosophy MIT Press Cambridge, MA. Kindle edition

            9. 1998 The Politics And Poetics Of Dance Annual Review of Anthropology 27 503 532

            10. 2011 Capturing dance and choreotopography: analyzing and visualizing complexity, 17th International Symposium on Electronic Art, ISEA2011 Istanbul, Turkey 14 21 September 2011 2504 2508 ISEA International

            11. 2016 Virtualizing Dance The Oxford Handbook of Screendance Studies Oxford University Press New York

            12. 2012 The Poetics of Motion Capture and Visualisation Techniques: The Differences between Watching Real and Virtual Dancing Bodies Kinesthetic Empathy in Creative and Cultural Practices Intellect Ltd London

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