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      Artificial Imagination Induced by Visualised Hypotheses in Archaeology

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      Proceedings of EVA London 2020 (EVA 2020)

      AI and the Arts: Artificial Imagination

      6th July – 9th July 2020

      Architecture, Archaeology, Art history, Visualisation, Hypotheses, Uncertainty, Knowledge

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          There is no author summary for this article yet. Authors can add summaries to their articles on ScienceOpen to make them more accessible to a non-specialist audience.

          Abstract

          This paper demonstrates our 'visualisation of hypotheses' approach for providing scientific and creative visualisations. Our aim is to project the abstract virtual model as realistically as possible, using the technique we call 'virtual photography'. We have developed research projects in close contact with the German Archaeological Institute DAI (antic metropolis Pergamon in West Anatolia, Palatine Palaces in Rome, Ktesiphon in Mesopotamia, all exhibited in the Pergamon Museum Berlin, developed within the Excellence Cluster TOPOI by Freie Universität and Humboldt-Universität Berlin and funded by the German Research Foundation DFG); the Egyptian Museums Berlin and Munich (royal city of Naga, Sudan); Cologne Cathedral (building phases including predecessors); the Martin-von-Wagner Museum Würzburg (visualising Archbishop Julius von Echter’s ideal church); and the Bern Minster Foundation and Bern Institute for Art History (the early building phases of the 15th and 16th century). This paper demonstrates how virtual modelling and virtual photography work hand-in-hand, respecting traditional architectural design modelling in order to translate hypotheses and uncertain knowledge, without adding more content than necessary, to induce an architectural vision. In addition, we also follow the design principles of traditional architectural photography. Traditional methods of representing architecture are therefore used in combination with high-end technological tools for creating familiar visual impressions. The benefit of this approach is that the main subject of the examination will be its content, despite its technological approach and appearance. Using the CAD tools of mechanical engineering, which allow geometrical definitions that go far beyond the architectural needs, and visualisation tools that approach the quality of simulations, the visualised hypotheses resemble studio photography of clay models, or realistic photography of abstract geometry.

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          Most cited references 2

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          Die digitale Visualisierung von Architektur

           D Lengyel,  C Toulouse (2016)
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            Die Bauphasen des Kölner Domes und seiner Vorgängerbauten. Cologne Cathedral and preceding buildings

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              Author and article information

              Contributors
              Conference
              July 2020
              July 2020
              : 50-57
              Affiliations
              BTU Cottbus-Senftenberg

              Konrad-Wachsmann-Allee 4

              03046 Cottbus, Germany
              Article
              10.14236/ewic/EVA2020.8
              © Lengyel et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2020

              This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

              Proceedings of EVA London 2020
              EVA 2020
              30
              London
              6th July – 9th July 2020
              Electronic Workshops in Computing (eWiC)
              AI and the Arts: Artificial Imagination
              Product
              Product Information: 1477-9358BCS Learning & Development
              Self URI (journal page): https://ewic.bcs.org/
              Categories
              Electronic Workshops in Computing

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