2,523
views
0
recommends
+1 Recommend
3 collections
    1
    shares

      Studying business & IT? Drive your professional career forwards with BCS books - for a 20% discount click here: shop.bcs.org

      scite_
       
      • Record: found
      • Abstract: found
      • Conference Proceedings: found
      Is Open Access

      Beyond Human: Arts and identity between reality and virtuality in a post-Covid-19 world

      Published
      proceedings-article
      , , , ,
      Proceedings of EVA London 2021 (EVA 2021)
      AI and the Arts: Artificial Imagination
      5th July – 9th July 2021
      Digital arts, Digital culture, Digitalism, Digitality, Identity, Reality, Virtuality, Covid-19
      Bookmark

            Abstract

            This Symposium Panel explores themes of arts and identity with respect to the boundaries of reality and virtuality, especially with respect to changes in attitudes accelerated due to the restrictions of the Covid-19 pandemic. Each panellist provides a position statement from their point of view. The viewpoints cover artistic, curatorial, and academic issues. The effects are rapidly changing the digital culture in which we increasingly live.

            Content

            Author and article information

            Contributors
            http://www.jpbowen.com
            http://sites.google.com/view/tgiannini
            https://cargocollective.com/RF
            http://www.takeo.org
            http://www.emanuelemarconi.it
            Conference
            July 2021
            July 2021
            : 7-11
            Affiliations
            [0001]London South Bank University

            School of Engineering

            London, UK
            [0002]Pratt Institute

            School of Information

            New York, USA
            [0003]Goldsmiths, University of London

            CSNI/LSBU & Whitechapel Gallery

            London, UK
            [0004]The National Archives, UK

            Henry Luce III Center for the Arts & Religion

            Washington, DC, USA
            [0005]Musée des Instruments à Vent

            La Couture-Boussey

            France
            Article
            10.14236/ewic/EVA2021.2
            dfd7627c-a3c8-48ed-8a64-220aae8a0b5c
            © Bowen et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2021, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2021
            EVA 2021
            London
            5th July – 9th July 2021
            Electronic Workshops in Computing (eWiC)
            AI and the Arts: Artificial Imagination
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.2
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Digitality,Reality,Identity,Digitalism,Covid-19,Digital culture,Digital arts,Virtuality

            BIBLIOGRAPHY

            1. (2020) A personal view of EVA London: Past, present, future. In et al. (2020), pp. 8–15. [Cross Ref]

            2. , , and (eds.) (2016) EVA London 2016: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. [Cross Ref]

            3. , , and (eds.) (2017) EVA London 2017: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. [Cross Ref]

            4. and (2014) Digitalism: The new realism? In , , and (eds.), EVA London 2014: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing, pp. 324–331. [Cross Ref]

            5. and (2016) From analogue to digital in literature and art. In et al. (2016), pp. 1–4. [Cross Ref]

            6. and (2021) Digitality: A reality check. In et al. (2021), this volume.

            7. , , , , and (2019) Computational Culture and AI: Challenging human identity and curatorial practice. In et al. (2019), pp. 1–9. [Cross Ref]

            8. , , and (2017) Coded communication: Digital senses and aesthetics, merging art and life. In et al. (2017), pp. 1–8. [Cross Ref]

            9. , , , , , , and (2020) States of Begin: Art and identity in digital space and time. In et al. (2020), pp. 1–7. [Cross Ref]

            10. , , , , , , , and . (2018) States of Begin: Art and identity in digital space and time. In et al. (2018), pp. 1–7. [Cross Ref]

            11. , , , and (eds.) (2018) EVA London 2018: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. [Cross Ref]

            12. and (2016) Curating digital life and culture: Art and information. In et al. (2016), pp. 237–244. [Cross Ref]

            13. and (2018) Of museums and digital culture: A landscape view. In et al. (2018), pp. 172–179. [Cross Ref]

            14. and (eds.) (2019a) Museums and Digital Culture: New Perspectives and Research. Springer, Series on Cultural Computing. [Cross Ref]

            15. and (2019b) Digital culture. In (eds.) (2019a), chapter 1, pp. 3–26. [Cross Ref]

            16. and (2019c) Museums and digitalism. In (eds.) (2019a), chapter 2, pp. 27–46. [Cross Ref]

            17. and (2019d) Art and Activism at museums in a post-digital world. In et al. (2019), pp. 27–35. [Cross Ref]

            18. and (2021) Museums at the crossroads: Between digitality, reality, and Covid-19. In et al. (eds.), EVA 2021 Florence Proceedings.

            19. ICOM (2020) Report: Museums, museum professionals and COVID-19. International Council of Museums, May. $uri href="https://icom.museum/wpcontent/uploads/2020/05/Report-Museums-andCOVID-19.pdf">https://icom.museum/wpcontent/uploads/2020/05/Report-Museums-andCOVID-19.pdf$/uri>

            20. (ed.) (2019) Imaginary Cities. British Library, London, UK.

            21. (2016) Sublating time: Hegel’s speculative philosophy and digital aesthetics. In et al. (2016), pp. 257–264. [Cross Ref]

            22. (2019) Historical questions on being and digital culture. In (eds.) (2019a), chapter 3, pp. 49–62. [Cross Ref]

            23. UNESCO (2020) Museums around the world in the face of COVID-19. UNESCO Report, UNESDOC Digital Library, May. https://unesdoc.unesco.org/ark:/48223/pf0000373530

            24. , , , and (eds.) (2021) EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. [Cross Ref]

            25. , , , and . (eds.) (2019) EVA London 2019: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. [Cross Ref]

            26. , , , and . (eds.) (2020) EVA London 2020: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing. ScienceOpen. [Cross Ref]

            Comments

            Comment on this article