Synthesis: Making magic with GenieMo

GenieMo is a real-time communication tool based on LiveScan3D, created to empower volumetric content creation and communication for social good. It presents a potentially democratising set of tools that can demystify technological processes that seem out of reach when presented by corporate "big tech". This paper explains how working with GenieMo develops some of the potentials in earlier works of telematic art, using a capture system, social hot-casting with additional real-time brainwave recording and visualisations to create something new that is also rooted in the history of immersive art.

Content

Author and article information

Contributors

Luciana Haill

Nick Lambert

Conference

Publication date: July 2021

Publication date (Print): July 2021

Pages: 292-300

Affiliations

[0001]University of Brighton

Brighton, UK

[0002]Ravensbourne University

London, UK

Article

DOI: 10.14236/ewic/EVA2021.53

SO-VID: 80726eed-d609-46fd-adfa-9b6630ddf76b

License:

This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2021

Conference acronym: EVA 2021

Conference number:

Conference location: London

Conference date: 5th July – 9th July 2021

Conference sponsor: Electronic Workshops in Computing (eWiC)

Conference theme: AI and the Arts: Artificial Imagination

History

Product

1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.53

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

R. Ascott 1990. "Is There Love in the Telematic Embrace?" Art Journal. New York: College Arts Association of America. 49:3
A. Lucier 2001. Seminar. In D. Eibenová, M. Perry and J. Novak (eds.) Ostrava Days 2001: New Music Institute and Festival. Ostrava: Ostrava Center for New Music, 27–38.
J. Rothfuss 2014. Topless Cellist The Improbable Life of Charlotte Moorman. MIT Press.

Comments

Comment on this article

[1] R. Ascott 1990. "Is There Love in the Telematic Embrace?" Art Journal. New York: College Arts Association of America. 49:3

[2] A. Lucier 2001. Seminar. In D. Eibenová, M. Perry and J. Novak (eds.) Ostrava Days 2001: New Music Institute and Festival. Ostrava: Ostrava Center for New Music, 27–38.

[3] J. Rothfuss 2014. Topless Cellist The Improbable Life of Charlotte Moorman. MIT Press.

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