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      Visual Mediation of Unique Construction and Access Principles of the Amphitheatre of Durrës

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      Proceedings of EVA London 2021 (EVA 2021)
      AI and the Arts: Artificial Imagination
      5th July – 9th July 2021
      Architecture, Archaeology, Visualisation, Hypotheses, Uncertainty, Knowledge, Principles, Idealisation, Catalyst
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            Abstract

            Durrës, situated in today’s Albania, is a harbour city on the road between Rome and Constantinople. The questions on the amphitheatre of Durrës have arisen during the last decades of archaeological research. The particular problem is that the orientation of the amphitheatre negates the supply provided by the topography. Its axes are indeed twisted. Antic amphitheatres follow common principles in order to provide a common external appearance. Durrës deviated from the common way and required new solutions for construction and access. The findings are too rare to build a certain reconstruction upon. Still, the findings suggest that there must have been a special and individual solution, principles that pursue the single goal to provide an appearance and a functionality as similar as possible to the other amphitheatres. Based on scientifically based hypotheses created to an important extent during the common research project and their mutual consideration, the project demonstrates how a complex geometrical system has been analysed and synthesised and is being mediated visually by a set of complementary visualisations of different pictorial methods and architectural segmentation.

            Content

            Author and article information

            Contributors
            Conference
            July 2021
            July 2021
            : 46-51
            Affiliations
            [0001]BTU Cottbus-Senftenberg

            Konrad-Wachsmann-Allee 4

            03046 Cottbus

            Germany
            [0002]
            Article
            10.14236/ewic/EVA2021.8
            df685703-4d29-4db6-94b7-fda79ec13c23
            © Lengyel et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2021, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2021
            EVA 2021
            London
            5th July – 9th July 2021
            Electronic Workshops in Computing (eWiC)
            AI and the Arts: Artificial Imagination
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.8
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Visualisation,Archaeology,Knowledge,Architecture,Catalyst,Hypotheses,Idealisation,Principles,Uncertainty

            REFERENCES

            1. , , , , (2009) Anfiteatro Romano di Durazzo: Rilivi Geofisici ed Emergenze Archeologiche. Geo-Archeologia: Periodico dell’Associazione Geo-Archeologica Italiana, 2009– 1, pp. 33–51.

            2. (2009) Amphitheatrum in Provincia et Italia. Forschungen in Augst. Volume 43/01. Augusta Raurica, Augst.

            3. , (2013): Die Bauphasen des Kölner Domes und seiner Vorgängerbauten. Gestaltung zwischen Architektur und Diagrammatik. In: , (Ed.): Diagrammatik der Architektur. Fink, Paderborn, pp. 327–352.

            4. , (2020): Visualisation. In: , , (Ed.): Atlas of Digital Architecture: Terminology, Concepts, Methods, Tools, Examples, Phenomena. Birkhäuser, pp. 284–323

            5. , , , (2014) Prodeedings of the International Congress of Albanian Archaeological Studies. Centre for Albanien Studies Institute of Achaeology, Tiranë, Albania, 21–22 November 2013, Botimet Albanologjike Tiranë, Tirana.

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