Durrës, situated in today’s Albania, is a harbour city on the road between Rome and Constantinople. The questions on the amphitheatre of Durrës have arisen during the last decades of archaeological research. The particular problem is that the orientation of the amphitheatre negates the supply provided by the topography. Its axes are indeed twisted. Antic amphitheatres follow common principles in order to provide a common external appearance. Durrës deviated from the common way and required new solutions for construction and access. The findings are too rare to build a certain reconstruction upon. Still, the findings suggest that there must have been a special and individual solution, principles that pursue the single goal to provide an appearance and a functionality as similar as possible to the other amphitheatres. Based on scientifically based hypotheses created to an important extent during the common research project and their mutual consideration, the project demonstrates how a complex geometrical system has been analysed and synthesised and is being mediated visually by a set of complementary visualisations of different pictorial methods and architectural segmentation.
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