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      Proceedings of EVA London 2022 (EVA 2022)
      Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      4–8 July 2022
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            Main article text

            Acknowledgements

            EVA London 2022 gratefully acknowledges:

            • BCS, The Chartered Institute for IT for hosting EVA London, physically at the BCS London office and online using Zoom, and the BCS Computer Arts Society (CAS) Specialist Group for providing bursaries. Special thanks go to Kerry Wear at the BCS, for help with budgeting, registration, and other organisational arrangements, as well as Becky Youe, Florence Leroy, and Ian Borthwick of the BCS Electronic Workshops in Computing (eWiC) series, for support with the printed and online conference proceedings.

            • The Anthill Social and Tom Keene for website hosting and support.

            Thank you to staff at the BCS Swindon office for help with administrative and IT support.

            Thanks to all the contributors for making EVA London a continuing success.

            Preface

            The Electronic Visualisation and the Arts London 2022 Conference (EVA London 2022) is co-sponsored by the Computer Arts Society (CAS) and BCS, the Chartered Institute for IT, of which the CAS is a Specialist Group.

            Of course, this has been a difficult time for all conferences, with the Covid-19 pandemic. For the first time since 2019, the EVA London 2022 Conference is a physical conference. It is also an online conference, as it was in the previous two years. We continue with publishing the proceedings, both online, with open access via ScienceOpen, and also in our traditional printed form, for the second year in full colour.

            Over recent decades, the EVA London Conference on Electronic Visualisation and the Arts has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences. It brings together a wide range of research domains to celebrate a diverse set of interests, with a specialised focus on visualisation.

            The long and short papers in this volume cover varied topics concerning the arts, visualisations, and IT, including 3D graphics, animation, artificial intelligence, creativity, culture, design, digital art, ethics, heritage, literature, museums, music, philosophy, politics, publishing, social media, and virtual reality, as well as other related interdisciplinary areas.

            The EVA London 2022 proceedings presents a wide spectrum of papers, demonstrations, Research Workshop contributions, other workshops, and for the seventh year, the EVA London Symposium, in the form of an opening morning session, with three invited contributors. The conference includes a number of other associated evening events including ones organised by the Computer Arts Society, Art in Flux, and EVA International.

            As in previous years, there are Research Workshop contributions in this volume, aimed at encouraging participation by postgraduate students and early-career artists, accepted either through the peer-review process or directly by the Research Workshop chair. The Research Workshop contributors are offered bursaries to aid participation. In particular, EVA London liaises with Art in Flux, a London-based group of digital artists.

            The EVA London 2022 proceedings includes long papers and short “poster” papers from international researchers inside and outside academia, from graduate artists, PhD students, industry professionals, established scholars, and senior researchers, who value EVA London for its interdisciplinary community. The conference also features keynote talks. A special feature this year is support for Ukrainian culture after its invasion earlier in the year.

            This publication has resulted from a selective peer review process, fitting as many excellent submissions as possible into the proceedings. This year, submission numbers were lower than previous years, mostly likely due to the pandemic and a new requirement to submit drafts of long papers for review as well as abstracts. It is still pleasing to have so many good proposals from which to select the papers that have been included.

            EVA London is part of a larger network of EVA international conferences. EVA events have been held in Athens, Beijing, Berlin, Brussels, California, Cambridge (both UK and USA), Canberra, Copenhagen, Dallas, Delhi, Edinburgh, Florence, Gifu (Japan), Glasgow, Harvard, Jerusalem, Kiev, Laval, London, Madrid, Montreal, Moscow, New York, Paris, Prague, St Petersburg, Thessaloniki, and Warsaw. Further venues for EVA conferences are very much encouraged by the EVA community.

            As noted earlier, this volume is a record of accepted submissions to EVA London 2022. Associated online presentations are in general recorded and made available online after the conference.

            Committee

            EVA London 2022 Conference Chair: Graham Diprose

            BCS CAS Chair: Nick Lambert

            EVA London 2022 Programme Co-Chairs: Jonathan P. Bowen

            Jon Weinel

            Ann Borda

            Graham Diprose

            EVA London 2022 Keynote Chair: Ann Borda

            EVA London 2022 Online Chair: Sean Clark

            EVA London 2022 Symposium Co-Chairs: Tula Giannini

            Jonathan P. Bowen

            EVA London 2022 Research Workshop Chair: Graham Diprose

            EVA London 2022 Workshop Co-Chairs: Nick Lambert

            Carl Smith

            EVA London 2022 Publicity Chair: Sarah McDaid

            EVA London 2022 Financial Chair: Graham Diprose

            EVA London 2022 Website: Jonathan P. Bowen

            EVA London 2022 Technical Support: BCS, The Chartered Institute for IT

            EVA International Liaison: Terry Trickett

            EVA London Honorary Chair: James Hemsley

            EVA London Honorary Committee Member: George Mallen

            EVA London 2022 Organising/Advisory Committee Members:

            Ann Borda The University of Melbourne

            Jonathan P. Bowen London South Bank University

            Sean Clark Interact Digital Arts

            Graham Diprose Independent

            Tula Giannini Pratt Institute, New York

            Christina Hemsley Independent

            James Hemsley Birkbeck College

            Maureen Kendal Dreamstudio.io

            Nick Lambert Ravensbourne University London

            Sarah McDaid Zoea Ltd

            Aphra Shemza Art in Flux

            Carl Smith Ravensbourne University London

            Terry Trickett Trickett Associates

            Jon Weinel University of Greenwich

            List of Reviewers

            The people listed below reviewed submissions for the EVA London 2022 Conference and the Organising Committee is very grateful for their voluntary help in the selection process.

            EVA London 2022 Programme Committee Members:

            Otniel Altamirano

            Jānis Garančs

            Rebecca Norris

            Doron Altaratz

            Tula Giannini

            Teresa Numerico

            Xavier Aure

            David Gibson

            Paul O'Dowd

            Camille Baker

            Oliver Gingrich

            Olaoluwa Oyedokun

            Ann Borda

            Oana Gui

            Joskaudė Pakalkaitė

            Karen Bosy

            Kelly Hamilton

            Jeremy Pilcher

            Jonathan P. Bowen

            Susan Hazan

            Cristina Portugal

            Beatrice Bretherton

            Christina Hemsley

            Luísa Ribas

            Elisavet Christou

            Kyoko Hidaka

            Vasileios Routsis

            Sean Clark

            María Hidalgo Urbaneja

            Benjamin Seide

            Richard Collmann

            Racelar Ho

            Aphra Shemza

            Ed Cookson

            Richard Hoadley

            Anna Shvets

            Stuart Cunningham

            Maria Kallionpää

            Megan Smith

            Daniela de Paulis

            Maureen Kendal

            Lydia Smolin

            Laura Dekker

            Eugenia Kim

            Agata Marta Soccini

            Graham Diprose

            Jinhee Kim

            Marina Sparvoli

            Sophie Dixon

            Nick Lambert

            Terry Trickett

            Alan Dunning

            Kyungho Lee

            Sarah Vollmer

            Eva Emenlauer-Bloemers

            Michael Lesk

            Graham Wakefield

            Huan Fan

            Ziva Ljubec

            Jon Weinel

            Kenneth Feinstein

            Andy Lomas

            Ross Williams

            Gabriele Ferreira Alencar

            Lindsay MacDonald

            Ozan Yavuz

            Amalia Foka

            Jon Malis

            Jing Zhou

            Raffaella Folgieri

            Sarah McDaid

            Rehan Zia

            Giuliano Gaia

            Lila Moore

            Ode to Hope

            Live free or die

            Ukraine’s cry

            for life, liberty, and

            the pursuit of happiness

            When less

            is more

            Stop the war

            No more – No more

            Rivers of tears

            flow down the Dnieper

            Mother’s fears

            Children dying

            Can’t stop crying

            Can’t believe

            The fate of Kyiv

            under siege

            This hallowed ground

            Lost and found

            Stop the war

            No more – No more

            Let freedom ring

            Sing – Sing

            Sing of life’s and love’s

            eternal spring

            Hope is

            Everything

            Tula Giannini (March 2022)

            Papers:

            Symposium: Enter the Metaverse

            Tula Giannini, Jonathan P. Bowen, Chris Michaels & Carl Hayden Smith Digital Art and Identity Merging Human and Artificial Intelligence: Enter the Metaverse http://dx.doi.org/10.14236/ewic/EVA2022.1

            Image Data and Visualisation

            Andy Lomas Synthesis of Abstract Dynamic Quasiperiodic 3D Forms using SIRENs http://dx.doi.org/10.14236/ewic/EVA2022.2

            Florent Di Bartolo & Xavier Hautbois Tackle Climate Change Through Art: A case study http://dx.doi.org/10.14236/ewic/EVA2022.3

            Matthias Göggerle Opening black boxes – 3D CT digitalization of historical cipher machines http://dx.doi.org/10.14236/ewic/EVA2022.4

            Rehan Zja Seen description: Visualising and crafting data in mixed realities http://dx.doi.org/10.14236/ewic/EVA2022.5

            Maral Khosravi, Rehan Zia & Jian Chang Exeter Cathedral – A colour reconstruction for use in augmented reality devices http://dx.doi.org/10.14236/ewic/EVA2022.6

            Marilene Oliver, J.R. Carpenter, Scott Smallwood & Stephan Moore My Data Body http://dx.doi.org/10.14236/ewic/EVA2022.7

            Jonathan Weinel Book Launch: Explosions in the Mind: Composing Psychedelic Sounds and Visualisations http://dx.doi.org/10.14236/ewic/EVA2022.8

            Leah Barclay, Tricia King & Lyndon Davis Cymatic Patterns of the Black Cockatoo: Visualising the calls of Wildlife in Australia http://dx.doi.org/10.14236/ewic/EVA2022.9

            Elke Reinhuber National Flowers in Blue – Resurrecting analog imaging techniques in the era of big data and pixel perfection http://dx.doi.org/10.14236/ewic/EVA2022.10

            Robb Mitchell Near-Instant Prototyping of Multi-User Digital-Physical Interactions http://dx.doi.org/10.14236/ewic/EVA2022.11

            Digital Heritage

            Sean Clark & Sean Carroll Rebuilding Ernest Edmond's Communication Game http://dx.doi.org/10.14236/ewic/EVA2022.12

            Lindsay MacDonald The Immortal Shakspeare: Transcribing a micrographic drawing http://dx.doi.org/10.14236/ewic/EVA2022.13

            Artistic Communities & Education

            Raffaella Folgieri, Paul Arnold & Alessandro Giuseppe Buda NFTs In Music Industry: Potentiality and Challenge http://dx.doi.org/10.14236/ewic/EVA2022.14

            Elisavet Christou Mediation in the Post-Internet Condition http://dx.doi.org/10.14236/ewic/EVA2022.15

            Alexandra Orlova & Elvira Zhagun-Linnik Post-Internet Art in Russia as a Digital Folder in the World Practice http://dx.doi.org/10.14236/ewic/EVA2022.16

            Dominik Lengyel & Catherine Toulouse How to Communicate Complex Spatial Itineraries: A balancing act between diagram and simulation http://dx.doi.org/10.14236/ewic/EVA2022.17

            Cristina Portugal, Mônica Moura, Márcio Guimaraes, Iana Perez & José Carlos Magro (jnr) Design for Digital Humanities Practices Focusing On People With Visual Impairment http://dx.doi.org/10.14236/ewic/EVA2022.18

            Joel Ong Hy-Breed: Growing a Responsive Organo-Mechanical Agent http://dx.doi.org/10.14236/ewic/EVA2022.19

            Mercedes Bunz, Eva Jäger, Alasdair Milne & Joanna Zylinska Creative AI Futures: Theory and Practice http://dx.doi.org/10.14236/ewic/EVA2022.20

            China Connections

            Yi Wei, Ji Yi, Liu Yutong & Sean Clark Research on creative Transformation of Excellent Traditional Chinese culture – Taking interaction design of traditional handicraft culture translation as an example http://dx.doi.org/10.14236/ewic/EVA2022.21

            Jing Li & Jonathan P. Bowen Female Self-presentation through Online Dating Applications http://dx.doi.org/10.14236/ewic/EVA2022.22

            Jonathan P. Bowen & Huan Fan The Chengdu Biennale and Wikipedia Art Information http://dx.doi.org/10.14236/ewic/EVA2022.23

            Digital Culture and Museums

            Tula Giannini & Jonathan P. Bowen More than Human: Merging real and virtual states of being from arts and culture to wellness in a post-Covid world http://dx.doi.org/10.14236/ewic/EVA2022.24

            James Simpson & Rory Foster Liveness for Contemporary Audiences: Developing online-togetherness in metaverse-theatre audiences http://dx.doi.org/10.14236/ewic/EVA2022.25

            Jonah Brucker-Cohen Human Error, A Collection of Work that Highlights our Misuse of Technology and the Internet http://dx.doi.org/10.14236/ewic/EVA2022.26

            Oliver Gingrich & Shama Rahman Neuro Art – liminal reflection, introspection and participatory art http://dx.doi.org/10.14236/ewic/EVA2022.27

            Racelar Ho & Xiaolong Zheng The Post-bit Human Universe: An Experiment on the Evolutionary History of Human-Posthuman Relations http://dx.doi.org/10.14236/ewic/EVA2022.28

            Lark Spartin & John Desnoyers-Stewart Digital Relationality: Relational aesthetics in contemporary interactive art http://dx.doi.org/10.14236/ewic/EVA2022.29

            Stefania Boiano, Ann Borda, Jonathan P. Bowen, Giuliano Gaia & Tula Giannini Vignettes of Computer-based Museum Interactive and Games Software through the Years http://dx.doi.org/10.14236/ewic/EVA2022.30

            Richard Whitby Pixels to Drones: Imaging the Nation in Olympic Opening Ceremonies London 2012 and Pyeongchang 2018 http://dx.doi.org/10.14236/ewic/EVA2022.31

            Virtual Reality

            Maureen Kendal, Fion Gunn, Barney Kass, Alan Hudson & Mei-Tsen Chen A-Maze artists: Update on the development of ‘Boundless – Worlds in Flux' virtual world http://dx.doi.org/10.14236/ewic/EVA2022.32

            Anna Shvets & Samer Darkazanli Adaptive VR Test in Music Harmony Based on Conditional Spiking GAN http://dx.doi.org/10.14236/ewic/EVA2022.33

            Leslie Deere Action at a Distance: Altered states through virtual gestures and audio-visuals http://dx.doi.org/10.14236/ewic/EVA2022.34

            Joanne Mills The Gamification of Arts and Culture: The expanded narrative and the virtual space from digital media to COVID http://dx.doi.org/10.14236/ewic/EVA2022.35

            Meredith Drum Monument Public Address System AR http://dx.doi.org/10.14236/ewic/EVA2022.36

            Gabriela Maria Pyjas, Jonathan Weinel & Martyn Broadhead Storytelling and VR: Inducing emotions through AI characters http://dx.doi.org/10.14236/ewic/EVA2022.37

            Maf'J Alvarez Eva Quantica VR http://dx.doi.org/10.14236/ewic/EVA2022.38

            David Bouchard, Cintia Cristia, Michael Bergmann & David Robert Augmented Symphony: an augmented reality application for immersive music listening http://dx.doi.org/10.14236/ewic/EVA2022.39

            Terry Trickett Through the Looking Glass to a Post-pandemic World, With New Media Artists as Our Guide http://dx.doi.org/10.14236/ewic/EVA2022.40

            The Rest at the End of the Metaverse

            Kyoko Hidaka Sense of Place: Interactive Installation for Tourism and beyond http://dx.doi.org/10.14236/ewic/EVA2022.41

            Danielle Barrios-O'Neill & Joskaudė Pakalkaitė Exploring Next-Generation Touch-Rich Interactions for Consumer Well-Being http://dx.doi.org/10.14236/ewic/EVA2022.42

            Elena Marie Vella, Daniel A Williams, Aleks Michalewicz, Airlie Chapman & Robert Walton Did That Stone Move? Staging Stone Swarms in Virtual Reality and IRL Galleries http://dx.doi.org/10.14236/ewic/EVA2022.43

            Sonia Milewska Show must go on? Problems of bio art preservation on example of Plant~Animals (2021–) by Elvin Flamingo http://dx.doi.org/10.14236/ewic/EVA2022.44

            Avital Meshi & Treyden Chiaravalloti Structures of Emotion – An online demonstration of an emotion recognition process http://dx.doi.org/10.14236/ewic/EVA2022.45

            Carl Hayden Smith & Roseanne Wakely Umwelt Hacking: Can we sense like a forest, a mycelium network or an octopus? http://dx.doi.org/10.14236/ewic/EVA2022.46

            Anne Tsjornaja, Jonathan Weinel & Martyn Broadhead Art(NET)work: Visualising interconnected artwork data in VR http://dx.doi.org/10.14236/ewic/EVA2022.47

            Carl Hayden Smith & Melissa Warner Cyberdelics: Context Engineering Psychedelics to Develop Altered Traits http://dx.doi.org/10.14236/ewic/EVA2022.48

            Joskaudė Pakalkaitė Connecting Colour-Coding and Hand-Drawn Interfaces for Study Resources, Menu and Navigation to Enrich Student Learning Experience Research Workshop http://dx.doi.org/10.14236/ewic/EVA2022.49

            Research Workshop

            Tahmeena Javaid Adeel, Rehan Zia & Oleg Fryazinov Design and Development Considerations for Serious Games to Assist in the Rehabilitation of Patients with Back Pain: An overview http://dx.doi.org/10.14236/ewic/EVA2022.50

            Daniella Chukwuezi Majority World Diasporas http://dx.doi.org/10.14236/ewic/EVA2022.51

            David Penny A Fallen Line of Marble Drums http://dx.doi.org/10.14236/ewic/EVA2022.52

            Keynotes

            Ann Borda, Natasha Trotman, Charlie Gere, Birgitta Hosea, Anastasiia Gliebova & Olga Simson EVA London 2022: Keynote summaries http://dx.doi.org/10.14236/ewic/EVA2022.53

            Maslisa Zainuddin Memory Pods: Upcycled objects and the stories they encapsulate: One (wo)man’s trash is another (wo)man’s inspiration http://dx.doi.org/10.14236/ewic/EVA2022.54

            Author and article information

            Conference
            July 2022
            July 2022
            Article
            10.14236/ewic/EVA2022.0
            d7595258-d2e7-4c37-b5ee-8a03f28357fc

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2022
            EVA 2022
            London
            4–8 July 2022
            Electronic Workshops in Computing (eWiC)
            Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            Product
            Product Information: 1477-9358BCS Learning & Development Ltd
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

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