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      Celebrating 65 years of The Computer Journal - free-to-read perspectives - bcs.org/tcj65

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      The Immortal Shakspeare: Transcribing a micro-calligraphic drawing

      proceedings-article
      Proceedings of EVA London 2022 (EVA 2022)
      Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      4–8 July 2022
      Shakespeare, Micro-calligraphy, Lithograph, Transcription, Image processing, Viewing software
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            Abstract

            A poster-sized drawing from the 19th Century portrays Shakespeare’s monument in Holy Trinity Church, Stratford-upon-Avon. The linework is composed of tiny lettering, less than 1 mm in height, running in a continuous path throughout the design. Direct transcription of the text proved to be difficult. The print was digitised at 1200 dpi and image processing techniques were tried to follow the text lines and recognise the characters, but they were ineffective because of the irregularity of the writing. A software viewer was developed to facilitate navigation of the text on screen, with functions for enlargement, translation and rotation, and for constructing and editing a trajectory line following the path of the text. The text was fully transcribed and three sources were identified from the 1840s.

            Content

            Author and article information

            Contributors
            Conference
            July 2022
            July 2022
            : 55-62
            Affiliations
            [0001]Faculty of Engineering Science

            University College London, UK
            Article
            10.14236/ewic/EVA2022.13
            68eeb341-916a-4150-b23a-13ab6fc94aec
            © MacDonald. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2022
            EVA 2022
            London
            4–8 July 2022
            Electronic Workshops in Computing (eWiC)
            Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.13
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Micro-calligraphy,Viewing software,Image processing,Transcription,Lithograph,Shakespeare

            REFERENCES

            1. (2013) The Art of Hebrew Micrography. Jewish Heritage Online Magazine www.jhom.com/topics/letters/micrography.html

            2. Folger Digital Image Collection, file #29720 https://luna.folger.edu/luna/servlet/s/s4t1h6

            3. (2004) How to Identify Prints, Thames & Hudson, London, pp.19-20.

            4. (2004) Louis Glück Rosenthal. Oxford Dictionary of National Biography https://doi.org/10.1093/ref:odnb/68872

            5. (2010) The limits of resolution. Electronic Visualisation and the Arts (EVA London), BCS, pp.149-156. DOI: [Cross Ref]

            6. (1935) A Script Portrait of Wesley. Proc. Wesley Historical Society, 19(6), pp.129-132 https://biblicalstudies.org.uk/pdf/whs/19-6.pdf

            7. (2014) The Micro-calligraphic Portrait of John Wesley. Proc. Wesley Historical Society, 59(4), pp.136-148 https://biblicalstudies.org.uk/pdf/whs/59-4.pdf

            8. (2009) Charles Knight and the Nineteenth-century Market for Shakespeare. Bibliographical Society of America, 103(1), p.19-41.

            9. The transcription and supporting files have been archived at: DOI: [Cross Ref]

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