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      Post-Internet Art in Russia as a Digital Folder in the World Practice

      Published
      proceedings-article
      Author(s): ,
      Publication date (Print):
      Conference name: Proceedings of EVA London 2022 (EVA 2022)
      Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      Conference date: 4–8 July 2022
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            Content

            Author and article information

            Contributors
            Alexandra Orlova
            Elvira Zhagun-Linnik
            Conference
            Publication date: July 2022
            Publication date (Print): July 2022
            Pages: 72-74
            Affiliations
            [0001]Moscow, Russia
            Article
            DOI: 10.14236/ewic/EVA2022.16
            SO-VID: 134d8239-ee0e-4c30-8840-034f97849d91
            Copyright © © Orlova et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2022
            Conference acronym: EVA 2022
            Conference number:
            Conference location: London
            Conference date: 4–8 July 2022
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.16
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. (2000) Post-Digital Aesthetics and the Return to Modernism. URL: http://www.ianandrews.org/texts/postdig.html (1.03.2022)

            2. (2014) Notes on Post-Internet. In editors Omar Kholeif , You are Here: Art After the Internet. Cornerhouse, Manchester.

            3. (2012) After Art. Princeton University Press, Princetin.

            4. (2014) Postinernet: Art After the Internet (2010). In Art and the Internet. Black Dog Publishing, London.

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