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      • Abstract: found
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      Majority World Diasporas

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      proceedings-article
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      Publication date (Print):
      Conference name: Proceedings of EVA London 2022 (EVA 2022)
      Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      Conference date: 4–8 July 2022
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            Author and article information

            Contributors
            Daniella Chukwuezi
            Conference
            Publication date: July 2022
            Publication date (Print): July 2022
            Pages: 264-265
            Affiliations
            [0001]Independent

            London, UK
            Article
            DOI: 10.14236/ewic/EVA2022.51
            SO-VID: 7eadaef3-4a7e-4ee3-bd2a-a5e402ae3d49
            Copyright © © Chukwuezi. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2022
            Conference acronym: EVA 2022
            Conference number:
            Conference location: London
            Conference date: 4–8 July 2022
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.51
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. (2008). Majority World: Challenging the West's Rhetoric of Democracy. Amerasia Journal. 34. 87-98.

            2. (2006). Ideology and ideological state apparatuses (notes towards an investigation). The anthropology of the state. A reader, 9.1, 86-98.

            3. (1982) The rediscovery of “ideology”: Return of the repressed in media studies. In and (eds.), Culture, society and the media. Methuen, London.

            4. (2022) Vladimir Putin’s monstrous invasion is an attack on civilisation itself. https://www.telegraph.co.uk/news/2022/02/26/vladi mir-putins-monstrous-invasion-attack-civilisation/ [Accessed 27 February 2022].

            5. (2021) What or where is the ‘Global South’? A social science perspective. https://blogs.lse.ac.uk/impactofsocialsciences/2021 /09/28/what-or-where-is-the-global-south-a-social-science-perspective/ [Accessed 5 March 2022].

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