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      EVA London 2022: Keynote summaries

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      proceedings-article
      , , , , ,
      Proceedings of EVA London 2022 (EVA 2022)
      Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      4–8 July 2022
      Digital art, Digital copyright, Digital culture, Inclusive design, Metaverse, Neurodiversity, Non-Fungible Tokens (NFTs), Social media and warfare
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            Abstract

            This paper includes summaries of keynote presentations and short biographies of the keynote speakers at the EVA London 2022 Conference on Electronic Visualisation and the Arts. EVA London broadly covers digital art and culture, attracting an international audience, interdisciplinary speakers, and practitioners.

            Content

            Author and article information

            Contributors
            Conference
            July 2022
            July 2022
            : 268-273
            Affiliations
            [0001]University of Melbourne, Australia

            University College London, UK
            [0002]Artist in Residence

            Somerset House, Studio 48

            London, UK
            [0003]Lancaster Institute for the

            Contemporary Arts

            Lancaster University, UK
            [0004]University for the Creative Arts

            Farnham, UK
            [0005]Institute of Law, Technology

            and Innovation, Kharkiv, Ukraine

            V-Art
            [0006]Yaroslav the Wise National Law

            University, Kharkiv, Ukraine

            V-Art
            Article
            10.14236/ewic/EVA2022.53
            050c6e49-2ff1-4711-92c1-5f6f4be0cc8d
            © Borda et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2022
            EVA 2022
            London
            4–8 July 2022
            Electronic Workshops in Computing (eWiC)
            Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.53
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Digital art,Neurodiversity,Inclusive design,Digital copyright,Digital culture,Metaverse,Non-Fungible Tokens (NFTs),Social media and warfare

            BIBLIOGRAPHY

            1. , , and (2019) Participatory innovation and prototyping in the cultural sector: A case study. In , , , and (eds.), EVA London 2019: Electronic Visualisation and the Arts, pp. 18–26. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: [Cross Ref]

            2. and (2019) Smart Cities and Digital Culture: Models of Innovation. In Giannini & Bowen (2019a), chapter 27, pp. 523–549. DOI: [Cross Ref]

            3. (2020) A personal view of EVA London: Past, present, future. In , , , and (eds.), EVA London 2020: Electronic Visualisation and the Arts, pp. 8–15. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: [Cross Ref]

            4. , , , van Helsdingen, and (2021) EVA London 2021: Keynote summaries. In , , and (eds.), EVA London 2021: Electronic Visualisation and the Arts. BCS, Electronic Workshops in Computing (eWiC). ScienceOpen. DOI: [Cross Ref]

            5. and (2019) Digital culture. In Giannini & Bowen (2019a), chapter 1, pp. 3–26. DOI: [Cross Ref]

            6. and (eds.) (2019a) Museums and Digital Culture. Springer Series on Cultural Computing. DOI: [Cross Ref]

            7. (2013) The EVA London Conference 1990–2012: Personal reflections. In , , and (eds.), Electronic Visualisations in Arts and Culture, chapter 1, pp. 1–5. Springer Series on Cultural Computing. DOI: [Cross Ref]

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