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      proceedings-article
      Author(s): , , ,
      Publication date (Print):
      Conference name: Proceedings of EVA London 2022 (EVA 2022)
      Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
      Conference date: 4–8 July 2022
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            Content

            Author and article information

            Contributors
            Marilene Oliver
            J.R. Carpenter
            Scott Smallwood
            Stephan Moore
            Conference
            Publication date: July 2022
            Publication date (Print): July 2022
            Pages: 34-35
            Affiliations
            [0001]University of Alberta

            Edmonton, Canada
            [0002]Unaffiliated

            Settle, England
            [0003]Northwestern University

            Chicago, United States
            Article
            DOI: 10.14236/ewic/EVA2022.7
            SO-VID: 2460d29a-7a76-4784-9d0b-66ce0eadb2aa
            Copyright © © Oliver et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2022, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2022
            Conference acronym: EVA 2022
            Conference number:
            Conference location: London
            Conference date: 4–8 July 2022
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Use of new and emerging technologies in Digital Art, Data, Scientific and Creative Visualisation, Digitally Enhanced Reality and Everyware, 2D and 3D Imaging, Display and Printing, Mobile Applications, Museums and Collections, Music, Performing arts, and Technologies, Open Source and Technologies, Preservation of Digital Visual Culture, Virtual Cultural Heritage, Ethical Issues, Historical Issues, Digital Culture, Artificial Intelligence, NFTs
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2022.7
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. (2018) New Dark Age: Technology and the End of the Future. Verso Books, London, UK.

            2. (1995) Screening the Body: Tracing Medicine's Visual Culture, University of Minnesota Press, Minnesota

            3. (2006) Bodies in Code: Interfaces with Digital Media. Routledge, UK.

            4. (2006) The Quantified Self. Polity, Malden, MA.

            5. et al(2021) Your Computer is on Fire. MIT, Cambridge, MA.

            6. (2020) The World After Coronavirus, The Financial Times. March 19 2020.

            7. et al(2021) Deep Connection: Making Virtual Reality Artworks with Medical Scan Data. 2021 IEEE VIS Arts Program, New Orleans, Oct 24 – Oct 29 2021, 37-44. VISAP, USA

            8. (1994) The Criminal and the Saintly Body: Autopsy and Dissection in Renaissance Italy. Renaissance Quarterly, vol 47. 1-33.

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