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      Voicing the Subject: Finding new ways of creating the documentary

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      proceedings-article
      Proceedings of EVA London 2023 (EVA 2023)
      Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
      10–14 July 2023
      Documentary, Media art, Installation, Documentary ethics, Immigration, Artist-in-residency
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            Abstract

            This paper will look at the installation My Head is my Only Home Unless It Rains done at Carpentarias de São Lázaro in the summer of 2022. It will look at the questions it attempted to address, and its structure was devised to present this work to an audience. It will look at questions regarding the relationship between documentary maker and their subjects. Specifically, regarding editorial control and how this effects how subjects feel about the work. It will look at this work used multi-screen technology and digital programming to create a finished piece with an open-ended narrative format.

            Content

            Author and article information

            Contributors
            Conference
            July 2023
            July 2023
            : 85-91
            Affiliations
            [0001]Sunway University

            No. 5, Jalan Universiti

            47500 Bandar Sunway

            Selangor Darul Ehsan, Malaysia
            Article
            10.14236/ewic/EVA2023.14
            5cf4fae2-bab2-4635-9b3a-988702c88353
            © Feinstein. Published by BCS Learning & Development. Proceedings of EVA London 2023, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2023
            EVA 2023
            London
            10–14 July 2023
            Electronic Workshops in Computing (eWiC)
            Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.14
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Documentary,Artist-in-residency,Documentary ethics,Immigration,Installation,Media art

            REFERENCES

            1. Bruzzi, S. (2006) New documentary. Routledge, London, New York.

            2. Deleuze, Gilles. (1986) Cinema. 2 vols.: University of Minnesota, Minneapolis.

            3. Lévinas, E. (1998) Entre nous: on thinking-of-the-other. Columbia University Press, New York.

            4. Lévinas E (2000) God, death, and time. Stanford, Calif., Stanford University Press.

            5. Nichols, B. (1996) Representing reality: issues and concepts in documentary. Indiana University Press, Bloomington.

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