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      Volumetric Music Composition in a VR Context

      Published
      proceedings-article
      Author(s): ,
      Publication date (Print):
      Conference name: Proceedings of EVA London 2023 (EVA 2023)
      Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
      Conference date: 10–14 July 2023
      Keywords: VR, Music composition, Postmodern music

            Abstract

            The development of XR technologies creates new conditions of the art perception, allowing increased user interaction. New technological possibilities cause the shift in the art boundaries, aiming towards expansion of the art practices and leading to the synaesthetic perception. The role of the listener expands to the role of a performer and co-creator of a piece of art. In these conditions, the definition of a music composition must be reconsidered and in this paper, we propose a new concept of a volumetric music composition, which reflects the changes that the modern technological context induces. The practical realisation of a volumetric music composition concept is shown on the example of two projects – ‘Omega’ and ‘Atmos’, which substantially differ in terms of music style and visual representation, however, share the very essence of a new concept, reposing on interactivity and co-creation.

            Content

            Author and article information

            Contributors
            Anna Shvets
            Samer Darkazanli
            Conference
            Publication date: July 2023
            Publication date (Print): July 2023
            Pages: 166-169
            Affiliations
            [0001]Fablab by Inetum

            157 boulevard MacDonald

            75019 Paris – France
            [0002]iMSA

            Rue du Clos Maury

            82000 Montauban – France
            Article
            DOI: 10.14236/ewic/EVA2023.28
            SO-VID: 762e71e3-875a-4e2f-bd39-4161419dbaba
            Copyright © © Shvets et al. Published by BCS Learning & Development. Proceedings of EVA London 2023, UK
            License:

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Conference name: Proceedings of EVA London 2023
            Conference acronym: EVA 2023
            Conference number:
            Conference location: London
            Conference date: 10–14 July 2023
            Conference sponsor: Electronic Workshops in Computing (eWiC)
            Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.28
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Series title: Electronic Workshops in Computing

            ScienceOpen disciplines: Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Keywords: VR,Postmodern music,Music composition

            REFERENCES

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            2. , , , , , & (2021) The Kandinsky experience: A multisensory augmented reality application for cultural heritage. Computer-Aided Design & Applications, 18(4), pp. 799–814.

            3. Constellation Guide. Omega Nebula – Messier 17: http://www.constellation-guide.com/omega-nebula-messier-17/ (retrieved 02 March 2023).

            4. (1973) Empirisme et Subjectivité. Presses Universitaires de France, Paris.

            5. (1876) The Horseshoe Nebula in Sagittarius. Popular Science, vol. 8(1), pp. 269–281.

            6. (2013) Modern model of narration: about relation between cyberculture and postmodernism. In , (eds.), Reflections on Narrative: Interdisciplinary storytelling, Inter-Disciplinary Press, Oxford, pp. 77–88.

            7. (2010). A geometry of music: Harmony and counterpoint in the extended common practice. Oxford University Press. Volumetric music composition in the VR context Project WebSite (2023) http://shvetscomposer.wordpress.com/2023/03/14/volumetric-music-composition-in-the-vr-context/

            8. (2022) Live painting performance at the Louvre museum Paris http://twitter.com/AnnaDreamBrush/status/1601230437841502210 (15/01/2023).

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