Bridging the Divide: Creating an accessible transparent AR display

Conference theme: Since 1990, the EVA London Conference has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences in the field of digital visualisation. The papers and abstracts in this volume cover areas such as the arts, culture, heritage, museums, music, performance, visual art, and visualisation, as well as related interdisciplinary areas, in combination with technology. The latest research and work by early career researchers, established scholars, practitioners, research students, and visual artists, can be found in this volume, published in full colour.

Conference date: 10–14 July 2023

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Contributors

Monika Keenan

Conference

Publication date: July 2023

Publication date (Print): July 2023

Pages: 201-202

Affiliations

[0001]Independent researcher

Glasgow, UK

Article

DOI: 10.14236/ewic/EVA2023.35

SO-VID: a4067d58-9d94-4fa0-bdbe-f4644999d173

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This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

Conference name: Proceedings of EVA London 2023

Conference acronym: EVA 2023

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Conference location: London

Conference date: 10–14 July 2023

Conference sponsor: Electronic Workshops in Computing (eWiC)

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1477-9358 BCS Learning & Development

Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2023.35

Self URI (journal page): https://ewic.bcs.org/

REFERENCES

N. Brancati et al. (2017) Experiencing Touchless Interaction with Augmented Content on Wearable Head-mounted Displays in Cultural Heritage Applications. Personal and Ubiquitous Computing, 21(2), pp. 203–217. DOI: 10.1007/s00779-016-0987-8.
A. Deffner et al. (2015) Accessibility to Culture and Heritage: Designing for All. Proceedings of the Conference AESOP 2015: Definite space - Fuzzy responsibility, Prague, Czech Republic, 13–16 July 2015.
E. Dick (2021) Risks and Challenges for Inclusive and Equitable Immersive Experiences. http://itif.org/publications/2021/06/01/risks-and-challenges-inclusive-and-equitable-immersive-experiences (Retrieved 25.02.2023).
S. Jeffrey (2015) Challenging Heritage Visualisation: Beauty, Aura and Democratisation. Open Archaeology, 1(1), pp. 144–152. DOI: 10.1515/opar-2015-0008.
A. Leahy & D. Ferri (2022) Barriers and Facilitators to Cultural Participation by People with Disabilities: A Narrative Literature Review. Scandinavian Journal of Disability Research, 24(1), pp. 68–81. DOI: http: 10.16993/sjdr.863.
M. Queisner (2017) Disrupting Screen-Based Interaction - Design Principles of Mixed Reality Displays. In C. Busch, C. Kassung & J. Sieck (eds.), Kultur und Informatik: Mixed Reality. Glückstadt. Verlag Werner Hülsbusch, Germany.

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[1] N. Brancati et al. (2017) Experiencing Touchless Interaction with Augmented Content on Wearable Head-mounted Displays in Cultural Heritage Applications. Personal and Ubiquitous Computing, 21(2), pp. 203–217. DOI: 10.1007/s00779-016-0987-8.

[2] A. Deffner et al. (2015) Accessibility to Culture and Heritage: Designing for All. Proceedings of the Conference AESOP 2015: Definite space - Fuzzy responsibility, Prague, Czech Republic, 13–16 July 2015.

[3] E. Dick (2021) Risks and Challenges for Inclusive and Equitable Immersive Experiences. http://itif.org/publications/2021/06/01/risks-and-challenges-inclusive-and-equitable-immersive-experiences (Retrieved 25.02.2023).

[4] S. Jeffrey (2015) Challenging Heritage Visualisation: Beauty, Aura and Democratisation. Open Archaeology, 1(1), pp. 144–152. DOI: 10.1515/opar-2015-0008.

[5] A. Leahy & D. Ferri (2022) Barriers and Facilitators to Cultural Participation by People with Disabilities: A Narrative Literature Review. Scandinavian Journal of Disability Research, 24(1), pp. 68–81. DOI: http: 10.16993/sjdr.863.

[6] M. Queisner (2017) Disrupting Screen-Based Interaction - Design Principles of Mixed Reality Displays. In C. Busch, C. Kassung & J. Sieck (eds.), Kultur und Informatik: Mixed Reality. Glückstadt. Verlag Werner Hülsbusch, Germany.

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