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      Partaker Agency: Entanglement of agencies in artworks by Bekirovic and Abramović.

      proceedings-article
      1
      Politics of the Machines - Art and After (EVA Copenhagen)
      Digital arts and culture
      15 - 17 May 2018
      Partaker Agency, Life-Art-Life, Process, Event, Non/Human Collaboration
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            Abstract

            In this paper I enquire ‘partaker agency’ in artworks by Semâ Bekirovic and Marina Abramović. Partaker agency is a concept which describes the agencies at work in collaborations between the various entities of an artwork in its coming to ‘life.’ Partaker agency is already at work in the very first conception of the artwork, during the process of making, and until and beyond the interaction with the audience. This whole process is, following Karen Barad (2003), how matter starts to ‘matter.’

            Content

            Author and article information

            Contributors
            Conference
            May 2018
            May 2018
            : 1-8
            Affiliations
            [1 ] ArtEZ University of the Arts, Amsterdam, The Netherlands
            Article
            10.14236/ewic/EVAC18.39
            0af04a0d-b1b4-403c-ac4f-3e2375e769ec
            © Isabella et al. Published by BCS Learning and Development Ltd. Proceedings of EVA Copenhagen 2018, Denmark

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Politics of the Machines - Art and After
            EVA Copenhagen
            7
            Aalborg University, Copenhagen, Denmark
            15 - 17 May 2018
            Electronic Workshops in Computing (eWiC)
            Digital arts and culture
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVAC18.39
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction
            Event,Process,Partaker Agency,Non/Human Collaboration,Life-Art-Life

            References

            1. 2003 Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter Signs: Journal of Women in Culture and Society 28 3 801 831

            2. 1951 The artist and the atom Magazine of art 44 145 152

            3. 1958 The Way Beyond ‘Art’ New York University Press New York

            4. 1988 Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective Feminist Studies 14 3 575 599

            5. 2000 Dream Machines Hayward Gallery London

            6. 1953 Feeling and Form A Theory of Art Charles Scribner’s sons New York

            7. 2002 Parables for the Virtual Duke University Press Durham

            8. ---. 2007 The Thinking-Feeling of What Happens Interact or Die 70 91

            9. 1993 Neonatal Synesthesia: Implications for the Processing of Speech And Faces Developmental Neurocognition: Speech and Face Processing in the First Year of Life 109 124

            10. 2013 A Conversation with Semâ Bekirovic http://www.lavalette.com/a-conversation-with-sema-bekirovic/ 27 April 2018

            11. 2008 Marina Abramović Phaidon London Website Sean Kelly Gallery http://www.skny.com/exhibitions/marina-Abramović4 15 May 2018

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