The content of this paper details the computational performance art piece ‘Becoming a Tomato – A Computational Performance’ by Lapa Pareira. In the piece “Becoming a Tomato – A Computational Performance”, two performers aim to develop a non-linear strategy to synchronise their experiential framework to that of a tomato plant. Through observation, research and the computational art methodology, a ruleset of actions and reactions originated. The three main parts relate to an ideation process where the phenomenon of black-boxing is used to only observe the In- and Outputs of a tomato plant and its reactions/adjustments. Thereby, a de-familiarization of the plant as a common and nourishing co-existing agent becomes opaque and unknown. Using the artistic approaches of material speculation and computational performance, Aristotelian notions of hierarchies of life are rejected by viewing the perceptive realm of plant life not through a reductive lens but rather through an augmentation of senses brought forth by the limitation of other senses.
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