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      Alison Knowles’s “Bean Rolls”: The influence of mycological and aesthetic discussions with John Cage on early women’s Fluxus aesthetics

      proceedings-article

      RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)

      Media Art, Science, and Technology

      August 20-23, 2019

      Alison Knowles, Fluxus, Sound Art, Beans, John Cage, Marcel Duchamp, Percussion, Feminism

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            Author and article information

            Contributors
            Conference
            August 2019
            August 2019
            : 1-7
            Affiliations
            Danube University Krems

            Department for Image Science

            Dr.-Karl-Dorrek-Str. 30, 3500

            Krems - Austria
            Article
            10.14236/ewic/RESOUND19.1
            0f341783-91a3-4e2d-9a76-0a3f494a042c
            © Rühse. Published by BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology
            RE:SOUND 2019
            8
            Aalborg, Denmark
            August 20-23, 2019
            Electronic Workshops in Computing (eWiC)
            Media Art, Science, and Technology
            Product
            Product Information: 1477-9358BCS Learning & Development
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            REFERENCES

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            3. 1966 Chance-Imagery New York Something Else Press

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            5. 1939 1961 Goal: New Music, New Dance Middletown Wesleyan University Press 87f

            6. 1958 1961 Indeterminacy Middletown Wesleyan University Press 260 274

            7. 1969 Notations New York Something Else Press

            8. 1996 Gli incanti dell’Iride: Giovanna Garzoni pittrice nel Seicento Cinisello Balsamo Silvana Ed

            9. 2008 Food, Poetry, and the Aesthetics of Consumption: Eating the Avant-garde New York Routledge

            10. 2017 Corporate Imaginations: Fluxus Strategies for Living Oakland University of California Press

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            16. 2012 An Introduction to Alison Knowles’s “The House of Dust” Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts Berkeley University of California Press 195 199

            17. 1960 Food News: Dilly Beans Make Good The New York Times 4 March 1960 17

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            21. 2000 Footnotes New York Granary Books

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            23. 2015 The Mushroom at the End of the World On the Possibility of Life in Capitalist Ruins Princeton/Oxford Princeton University Press

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            28. 2011 A Menu of Chance Print 65 1 2011.36-41

            29. 2012 Fluxus. Kunst gleich Leben? Mythen um Autorschaft, Produktion, Geschlecht und Gemeinschaft PhD diss. University of Bremen 2011 Zurich

            30. 2004 The Sculpture of Indeterminacy: Alison Knowles’s Beans and Variations Art Journal 63 4 96 115

            31. 2015 Kollektive surrealistische Kunstspiel aus der Zeit des Zweiten Weltkriegs IFK-Sommerakademie Reader IV Vienna IFK 31 40

            32. 2010 Begin Again. A Biography of John Cage Evanston Northwestern University Press

            33. 2012 Dearie: The Remarkable Life of Julia Child New York Knopf

            34. 2012 The Lunatics are on the loose European Fluxus Festivals 1962-1977, exhibition catalogue Potsdam Down with Art!

            35. 2014 Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art Austin University of Texas Press

            36. 2009 Radical Gestures: Feminism and Performance Art in North America Montreal McGill-Queen’s University Press

            37. 2017 Provisional objects: Alison Knowles’s “Bean Rolls” The taste of art, Fayetteville Arkansas The University of Arkansas Press 263 278

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